Daytime Drinking

• Things look different from the bottom of a bottle.After breaking up with his girlfriend, Hyuk-jin hits a bar in Seoul with his friends. Totally drunk, they decide to take a trip to console Hyuk-jin's broken heart. They agree to leave first thing the next day. However, when Hyuk-Jin gets off the bus the next afternoon, he finds out he's the only one that made the trip. His friends had horrible hang

After breaking up with his girlfriend, Hyuk-jin hits a bar in Seoul with his friends. Totally drunk, they decide to take a trip to console Hyuk-jin's broken heart. They agree to leave first thing the next day. However, when Hyuk-Jin gets off the bus the next afternoon, he finds out he's the only one that made the trip. His friends had horrible hangovers and completely forgot. Worse, he quickly finds that the festival they were headed to was weeks ago... no shops, no other tourists, and the beach is ! freezing cold. Hyuk-jin is truly, honestly, alone. Over the next few days, Hyuk-jin finds himself in a series of increasingly bizarre situations, most of them aided by the fact that, due to his respect for the etiquette of Korean drinking culture, Hyuk-jin cannot refuse a drink when someone offers him one. With his friends not showing up, and his wallet gone, Hyuk-jin has to figure out how get out of what must surely be the world's worst hangover, get back to Seoul, and end his drunken odyssey.

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The Day After Tomorrow

• A young American doctor haunted by his father's murder stumbles into a chilling international conspiracy and crosses paths with, among others, a weary L.A. cop investigating a series of surgically precise decapitations, a naive physical therapist and a hypercompetent German assassin.

In a Paris cafe, American surgeon Paul Osborn looks across the room and spots the man who murdered his father thirty years before. In London, a grizzled L.A. homicide cop named McVey joins Scotland Yard to unravel the mystery of a severed head and seven headless corpses. Neither American knows the link between the long-ago killing and the recent murders. But Paul's obsession to catch his father's killer will send him careening across Europe at breakneck speed, his life in the balance, his heart in the hands of a beautiful woman who may be his lover-or his downfall. Shadowing his every move is the relentless McVey! . And haunting them both is a secret organization larger and more embracing than any the world has ever seen, preparing for an apocalypse to begin...

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The Breakfast Club Poster Print, 24x36 Poster Print, 24x36

• Poster Title: The Breakfast Club Poster Print, 24x36
• Size: 24 x 36 inches

The Philosophical Breakfast Club recounts the life and work of four men who met as students at Cambridge University: Charles Babbage, John Herschel, William Whewell, and Richard Jones.  Recognizing that they shared a love of science (as well as good food and drink) they began to meet on Sunday mornings to talk about the state of science in Britain and the world at large.  Inspired by the great 17th century scientific reformer and political figure Francis Baconâ€"another former student of Cambridgeâ€"the Philosophical Breakfast Club plotted to bring about a new scientific revolution.   And to a remarkable extent, they succeeded, even in ways they never intended.
 
 Historian of science and philosopher Laura J. Snyder exposes the political passions, religious impulses, friendships,! rivalries, and love of knowledgeâ€"and powerâ€"that drove these extraordinary men.  Whewell (who not only invented the word “scientist,” but also founded the fields of crystallography, mathematical economics, and the science of tides), Babbage (a mathematical genius who invented the modern computer), Herschel (who mapped the skies of the Southern Hemisphere and contributed to the invention of photography), and Jones (a curate who shaped the science of economics) were at the vanguard of the modernization of science.
 
This absorbing narrative of people, science and ideas  chronicles the intellectual revolution inaugurated by these men, one that continues to mold our understanding of the world around us and of our place within it.  Drawing upon the voluminous correspondence between the four men over the fifty years of their work, Laura J. Snyder shows how friendship worked to spur the men on to greater accomplishments, and how it enabled them to transfo! rm science and help create the modern world.The Phil! osophica l Breakfast Club recounts the life and work of four men who met as students at Cambridge University: Charles Babbage, John Herschel, William Whewell, and Richard Jones.  Recognizing that they shared a love of science (as well as good food and drink) they began to meet on Sunday mornings to talk about the state of science in Britain and the world at large.  Inspired by the great 17th century scientific reformer and political figure Francis Baconâ€"another former student of Cambridgeâ€"the Philosophical Breakfast Club plotted to bring about a new scientific revolution.   And to a remarkable extent, they succeeded, even in ways they never intended.
 
 Historian of science and philosopher Laura J. Snyder exposes the political passions, religious impulses, friendships, rivalries, and love of knowledgeâ€"and powerâ€"that drove these extraordinary men.  Whewell (who not only invented the word “scientist,” but also founded the fields of crystallograph! y, mathematical economics, and the science of tides), Babbage (a mathematical genius who invented the modern computer), Herschel (who mapped the skies of the Southern Hemisphere and contributed to the invention of photography), and Jones (a curate who shaped the science of economics) were at the vanguard of the modernization of science.
 
This absorbing narrative of people, science and ideas  chronicles the intellectual revolution inaugurated by these men, one that continues to mold our understanding of the world around us and of our place within it.  Drawing upon the voluminous correspondence between the four men over the fifty years of their work, Laura J. Snyder shows how friendship worked to spur the men on to greater accomplishments, and how it enabled them to transform science and help create the modern world.


From the Hardcover edition.The Philosophical Breakfast Club recounts the life and work of four men wh! o met as students at Cambridge University: Charles Babbage, Jo! hn Hersc hel, William Whewell, and Richard Jones.  Recognizing that they shared a love of science (as well as good food and drink) they began to meet on Sunday mornings to talk about the state of science in Britain and the world at large.  Inspired by the great 17th century scientific reformer and political figure Francis Baconâ€"another former student of Cambridgeâ€"the Philosophical Breakfast Club plotted to bring about a new scientific revolution.   And to a remarkable extent, they succeeded, even in ways they never intended.
 
 Historian of science and philosopher Laura J. Snyder exposes the political passions, religious impulses, friendships, rivalries, and love of knowledgeâ€"and powerâ€"that drove these extraordinary men.  Whewell (who not only invented the word “scientist,” but also founded the fields of crystallography, mathematical economics, and the science of tides), Babbage (a mathematical genius who invented the modern computer), Herschel (who ma! pped the skies of the Southern Hemisphere and contributed to the invention of photography), and Jones (a curate who shaped the science of economics) were at the vanguard of the modernization of science.
 
This absorbing narrative of people, science and ideas  chronicles the intellectual revolution inaugurated by these men, one that continues to mold our understanding of the world around us and of our place within it.  Drawing upon the voluminous correspondence between the four men over the fifty years of their work, Laura J. Snyder shows how friendship worked to spur the men on to greater accomplishments, and how it enabled them to transform science and help create the modern world.


From the Hardcover edition.Five students: Allison, a weirdo, Brian, a nerd, John, a criminal, Claire, a prom queen, and Andy, a jock, are forced to spend the day in Saturday detention. At first they are quiet, but later they start talking and learn that behind ! the exterior, they are all the same. OK, that original plot de! scriptio n sounds cheesy, but this is a classic! Everyone who can sit still for the length of a movie should have already seen it. If you haven't, buy it now! And don't tell anybody you haven't. It's embarrassing.

• Actors: Emilio Estevez, Anthony Michael Hall, Judd Nelson, Molly Ringwald, Paul Gleason
• Directors: John Hughes
• Format: Closed-captioned, Color, Letterboxed, Widescreen, NTSC
• Region: Region 1 (U.S. and Canada only. )
• Aspect Ratio: 1.85:1
• Number of discs: 1
• Rating:
• Studio: Mca Home Video
• DVD Release Date: April 29, 1998
• Run Time: 92 minutes
• DVD Features:
  • Available Subtitles: English, Spanish
  • Available Audio Tracks: English (Dolby Digital 2.0 Mono), Spanish (Dolby Digital 2.0 Mono), French (Dolby Digital 2.0 Mono)
• Size: 7 1/2" x 5 1/4" x 1/2"

John Hughes's popular 1985 teen drama finds a diverse group of high school students--a jock (Emilio Estevez), a metalhead (Judd Nelson), a weirdo (Ally Sheedy), a pr! incess (Molly Ringwald), and a nerd (Anthony Michael Hall)--sharing a Saturday in detention at their high school for one minor infraction or another. Over the course of a day, they talk through the social barriers that ordinarily keep them apart, and new alliances are born, though not without a lot of pain first. Hughes (Sixteen Candles), who wrote and directed, is heavy on dialogue but he also thoughtfully refreshes the look of the film every few minutes with different settings and original viewpoints on action. The movie deals with such fundamentals as the human tendency toward bias and hurting the weak, and because the characters are caught somewhere between childhood and adulthood, it's easy to get emotionally involved in hope for their redemption. Preteen and teenage kids love this film, incidentally. --Tom KeoghA wrestler a rebel a brain a beauty and a shy girl share detention in a chicago high school. Studio: Uni Dist Corp. (mca) Release Date: 09/01/2! 009 Starring: Judd Nelson Anthony Michael Hall Run time: 97 ! minutes Rating: R Director: John HughesJohn Hughes's popular 1985 teen drama finds a diverse group of high school students--a jock (Emilio Estevez), a metalhead (Judd Nelson), a weirdo (Ally Sheedy), a princess (Molly Ringwald), and a nerd (Anthony Michael Hall)--sharing a Saturday in detention at their high school for one minor infraction or another. Over the course of a day, they talk through the social barriers that ordinarily keep them apart, and new alliances are born, though not without a lot of pain first. Hughes (Sixteen Candles), who wrote and directed, is heavy on dialogue but he also thoughtfully refreshes the look of the film every few minutes with different settings and original viewpoints on action. The movie deals with such fundamentals as the human tendency toward bias and hurting the weak, and because the characters are caught somewhere between childhood and adulthood, it's easy to get emotionally involved in hope for their redemption. Preteen and teenage k! ids love this film, incidentally. --Tom KeoghNo Description Available.
Genre: Soundtracks & Scores
Media Format: Compact Disk
Rating:
Release Date: 25-JAN-1988Few could challenge John Hughes in 1980s teen coming-of-age flicks. This brat-pack extravaganza boasts the anthemic "Don't You (Forget About Me)" by Simple Minds, a hit so large it vaulted them into the collective consciousness. The rest of it is more disposable. Elizabeth Daily (aka E.G.) was a kindred spirit of Pia Zadora in that people kept trying to make her famous, although in retrospect it's hard to figure out why. The Karla DeVito track "We Are Not Alone" still wears well, although it may be because it's synonymous with some great imagery from the movie. Producer Keith Forsey went on to work with Billy Idol and Charlie Sexton with mixed results. --Scott Wilson

Decorate your home or office with high quality posters. The Breakfast Club Poster Print, 24x36 ! is that perfect piece that matches your style, interests, and ! budget.< br>

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• MARIE ANTOINETTE The woman who was France! Norma Shearer and Tyrone Power headline an opulent saga of royalty and revolution.DAVID COPPERFIELD Based on the best-selling book by Charles Dickens. W.C. Fields is Micawber, and Freddie Bartholomew is young David in a splendid version of Dickens' most autobiographical work.A TALE OF TWO CITIES From the famed author Charles Dickens. "It was the best of t

Vince Rizzo (Andy Garcia) is a lifelong resident of the tiny, tradition-steeped Bronx enclave of City Island. A family man who makes his living as a corrections officer, Vince longs to become an actor. Ashamed to admit his aspirations to his family, Vince would rather let his fiery wife Joyce (Julianna Margulies) believe his weekly poker games are a cover for an extramarital affair than admit he’s secretly taking acting classes in Manhattan. When Vince is asked to reveal his biggest secret in clas! s, he inadvertently sets off a chaotic chain of events that turns his mundane suburban life upside down. Winner of the Audience Award at the 2009 Tribeca Film Festival, City Island spins a web of misrepresentations, misinterpretations and misunderstandings into a smart and charming comedy about a family that stops at nothing to avoid the truth.

City Island is chock-full of the simple pleasures to be gleaned from a warm, generous, and skillful script, performed with humor and charisma by a talented cast. Vince Rizzo (Andy Garcia, Ocean's Eleven) is a prison guard--or "corrections officer," as he prefers--and has a family full of secrets: his son has some atypical desires and his daughter has been kicked out of school, while his wife Joyce (Julianna Margulies, The Good Wife) is powerfully attracted to the hunky young ex-con on parole that Vince has brought to stay with them. But Vince has some potent secrets of his own, including taking acting cla! sses. He tells Joyce he's playing poker, which leads her to be! lieve he 's having an affair--and when she meets his acting partner (Emily Mortimer, Lovely and Amazing), she thinks her fears are confirmed. This plot could easily have been melodramatic or sentimental, but thanks to the relaxed and confident guiding hand of writer-director Raymond De Felitta and the grounded, unfussy performances of the actors, City Island is engaging and thoroughly enjoyable from start to finish. --Bret FetzerVince Rizzo (Andy Garcia) is a lifelong resident of the tiny, tradition-steeped Bronx enclave of City Island. A family man who makes his living as a corrections officer, Vince longs to become an actor. Ashamed to admit his aspirations to his family, Vince would rather let his fiery wife Joyce (Julianna Margulies) believe his weekly poker games are a cover for an extramarital affair than admit he’s secretly taking acting classes in Manhattan. When Vince is asked to reveal his biggest secret in class, he inadvertently sets off a chaotic c! hain of events that turns his mundane suburban life upside down. Winner of the Audience Award at the 2009 Tribeca Film Festival, City Island spins a web of misrepresentations, misinterpretations and misunderstandings into a smart and charming comedy about a family that stops at nothing to avoid the truth.

City Island is chock-full of the simple pleasures to be gleaned from a warm, generous, and skillful script, performed with humor and charisma by a talented cast. Vince Rizzo (Andy Garcia, Ocean's Eleven) is a prison guard--or "corrections officer," as he prefers--and has a family full of secrets: his son has some atypical desires and his daughter has been kicked out of school, while his wife Joyce (Julianna Margulies, The Good Wife) is powerfully attracted to the hunky young ex-con on parole that Vince has brought to stay with them. But Vince has some potent secrets of his own, including taking acting classes. He tells Joyce he's playing poker,! which leads her to believe he's having an affair--and when sh! e meets his acting partner (Emily Mortimer, Lovely and Amazing), she thinks her fears are confirmed. This plot could easily have been melodramatic or sentimental, but thanks to the relaxed and confident guiding hand of writer-director Raymond De Felitta and the grounded, unfussy performances of the actors, City Island is engaging and thoroughly enjoyable from start to finish. --Bret FetzerStudio: Tcfhe/anchor Bay/starz Release Date: 09/20/2011 Rating: Pg13City Island is chock-full of the simple pleasures to be gleaned from a warm, generous, and skillful script, performed with humor and charisma by a talented cast. Vince Rizzo (Andy Garcia, Ocean's Eleven) is a prison guard--or "corrections officer," as he prefers--and has a family full of secrets: his son has some atypical desires and his daughter has been kicked out of school, while his wife Joyce (Julianna Margulies, The Good Wife) is powerfully attracted to the hunky young ex-con on par! ole that Vince has brought to stay with them. But Vince has some potent secrets of his own, including taking acting classes. He tells Joyce he's playing poker, which leads her to believe he's having an affair--and when she meets his acting partner (Emily Mortimer, Lovely and Amazing), she thinks her fears are confirmed. This plot could easily have been melodramatic or sentimental, but thanks to the relaxed and confident guiding hand of writer-director Raymond De Felitta and the grounded, unfussy performances of the actors, City Island is engaging and thoroughly enjoyable from start to finish. --Bret FetzerMARIE ANTOINETTE The woman who was France! Norma Shearer and Tyrone Power headline an opulent saga of royalty and revolution. DAVID COPPERFIELD Based on the best-selling book by Charles Dickens. W.C. Fields is Micawber, and Freddie Bartholomew is young David in a splendid version of Dickens' most autobiographical work. A TALE OF TWO CITIES From the fam! ed author Charles Dickens. "It was the best of times, it was t! he worst of times." Ronald Colman stars in the lavish story of the French Revolution...and one man's redemption. PRIDE AND PREJUDICE Based on the best-selling book by Jane Austen. Mr. Darcy (Laurence Olivier) sets maiden hearts aflutter - except for that of unimpressed Elizabeth Bennett (Greer Garson). Austen's masterwork! TREASURE ISLAND Based on the unforgettable book of the same title by Robert Louis Stevenson. Avast, me hearties, for the swashbuckler about a boy with a treasure map - and a pirate (Long John Silver) with a scheme. The Champ's Wallace Beery and Jackie Cooper reunite!For an accurate look at how things were at MGM in the glory days, go directly to Motion Picture Masterpieces, a DVD box with five literary-minded A-list productions. MGM liked to think of itself as the studio of class, and its highbrow aspirations (mixed with plenty of old-fashioned hokum) are on lavish display in this collection.

Louis B. Mayer ran the studio, and boy wonder Irving Thalberg! supervised production. However, another strong-willed producer, future Gone with the Wind CEO David O. Selznick, was responsible for guiding a pair of highly enjoyable Dickens adaptations, both released in 1935. David Copperfield is a wonderful condensation of the sprawling novel, crammed with memorable evocations of Dickens' roster of eccentrics. Freddie Bartholomew, who became a star with this role, plays the young David; equally indelible are W.C. Fields as Mr. Micawber, Basil Rathbone as Murdstone, and especially Edna May Oliver as Besty Trotwood. Director George Cukor's empathy and craftsmanship keep the movie humming with Dickensian wit. A Tale of Two Cities followed shortly thereafter, with Ronald Colman in one of his signature roles as the drunken romantic Sydney Carton, whose throttled love for the beautiful Lucie Manette leads to the French Revolution's guillotine. Jack Conway directs in tight, brisk fashion, and once again the supporting cas! t (Oliver and Rathbone return from Copperfield) is flav! orful. < p> The French Revolution also figures in the rather preposterous Marie Antoinette (1938), an eye-popping production about the bride of Louis XVI. The project was a pet of Thalberg and his wife Norma Shearer, and MGM proceeded with the overstuffed production even after Thalberg's early death. Marie gets an extramarital affair (with the young Tyrone Power) and an incredible parade of gowns and wigs, but not too much blame for the peasants starving. Robert Morley steals the show as Louis XVI, with John Barrymore in rascally form as his grandfather. Shearer's ordinariness somehow fits her out-of-it character.

Treasure Island (1934) casts Jackie Cooper as young Jim Hawkins and Wallace Beery as that one-legged seadog, Long John Silver (the pair had scored a huge hit in The Champ three years earlier). This is a lot of people's favorite adaptation of the marvelous Robert Louis Stevenson novel, and Victor Fleming's manly directing approach manages to take s! ome of the sheen off the MGM house style (by the way, art director Cedric Gibbons, credited on all these films, is one of the stars of the box set).

Pride and Prejudice (1940) is a respectable take on Jane Austen's oft-filmed novel, with Greer Garson as the headstrong Elizabeth Bennet and Laurence Olivier as the difficult Mr. Darcy. MGM liked to corset Garson in fine-lady roles, but here she lets some of Elizabeth's sauciness come through; actually, Olivier's elaborate performance is the movie's too-theatrical weak spot. But boy, does this movie tell a good story--and that's rather the point of these (Marie excepted) solid literary adaptations. --Robert Horton

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After the Wedding

• AFTER THE WEDDING (DVD MOVIE)

Far from home, Jacob (Casino Royale villain, Mads Mikkelsen), runs a struggling orphanage in one India’s poorest regions. Desperate to save the orphanage from closure, he returns to Denmark to meet Jorgen (Rolf Lassgard) a wealthy businessman and potential benefactor. What appears to be nothing more than a friendly gesture to attend a wedding sets in motion an increasingly devastating series of surprises, revelations, and confessions that will forever change their lives.Equal parts weepy drama and soap opera, After the Wedding is a beautifully filmed story centering on Jacob (Mads Mikkelsen, Casino Royale), a Danish man working at a orphanage in Bombay. Just when funds have run desperately low, Jorgen (Rolf Lassgård)--a wealthy benefactor--promises to donate millions of dollars to the orphanage. But there's a catch. Jacob must collect the fund! s himself in Copenhagen... and attend the wedding of the eccentric millionaire's daughter. But once Jacob meets the benefactor's wife Helene (played by a radiant Sidse Babett Knudsen), it's obvious to the viewer that the two have a complicated history. It’s also likely that her daughter Anna (Stine Fischer Christensen) most probably is theirs. So why did Jorgen invite Jacob to Anna's wedding? Does he know Jacob is Anna's father? Is something nefarious in the works? The thought-provoking film was Denmark's entry for Best Foreign Language Film at the 2007 Academy Awards. Subtitled in English, the Danish picture is well helmed by director Susanne Bier (Brothers), who manages to keep the film from delving into over the top histrionics. Mikkelsen is particularly good, whether he's channeling his anger at having been shut out of his maybe-daughter's life for the past 20 years, or having to grovel a bit to get Jorgen to donate the funds as promised to his orphanage. The r! elationships here are messy and often uncomfortable. But they ! also rin g true to life. --Jae-Ha Kim

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Flashbacks Of A Fool [Blu-ray]

• FLASHBACKS OF A FOOL BLU-RAY (BLU-RAY DISC)

Daniel Craig delivers a startling performance as Joe Scott, a washed-up Hollywood star adrift in a haze of sex, drugs and squandered fame. But when he receives news of the sudden death of his childhood best friend, Joe flashes back to his younger self (played by Harry Eden of Oliver Twist) in his small English seaside village and the summer of innocence and tragedy that would change his life forever. Olivia Williams (The Sixth Sense), Claire Forlani (CSI:NY) and Eve co-star in this powerful drama about love, loss and one man’s journey to redemption, executive produced by Daniel Craig and featuring songs by Scott Walker, David Bowie and Roxy Music.Leading man Daniel Craig apparently made Flashbacks of a Fool (he was also one of the executive producers) in between stints as James Bond, and you can see why he was attract! ed to it; Joe Scott, the character he portrays in this film, could hardly be less like the suave, ever-resourceful 007. Ensconced in a fab, oceanfront Malibu crib, Joe is a movie star on the skids. Hooked on coke and drink, engaging in group gropes with dumb Hollywood bimbos, he’s sunk so low that his sassy assistant (Eve) calls him "a disgrace to white folks," and even his agent is sick of him, which is somewhat akin to a parasite dissing its host (it’s a measure of writer-director Baillie Walsh’s script’s lack of depth that we never really see what made Joe so great in the first place, or so bad now). When a call comes that a childhood friend has died, Joe decides to return to his native England for the funeral, whereupon an extended flashback kicks in. Young Joe (Harry Eden), it seems, was as randy and hopelessly naïve as a lot of teenage boys. Though he had the hots for the sexiest young thang in town (a coastal village that’s as lovely in its way as the Cali! fornia setting, both of them handsomely photographed by cinema! tographe r John Mathieson; the locations, in fact, are probably the most attractive element of the film), he also wasn’t immune to the advances of Evelyn (Jodhi May), the older married woman who lives next door. And when a tragedy involving Evelyn’s daughter struck while she and Joe were in flagrante, Joe handled it by leaving town, never to return--until now, that is. He discovers that his late pal’s widow is the same young girl Joe’d had his eye on, but otherwise his homecoming is a strangely muted affair; not a lot happens, which pretty much applies to the film overall. In the end, Flashbacks of a Fool has its touching moments, but it might have turned out better had it been both shaken and stirred. --Sam Graham

Stills from Flashbacks of a Fool (Click for larger image)

Daniel Craig delivers a startling performance as Joe Scott, a washed-up Hollywood star adrift in a haze of sex, drugs and squandered fame. But when he receives news of the sudden death of his childhood best friend, Joe flashes back to his younger self (played by Harry! Eden of Oliver Twist) in his small English seaside village and the summer of innocence and tragedy that would change his life forever. Olivia Williams (The Sixth Sense), Claire Forlani (CSI:NY) and Eve co-star in this powerful drama about love, loss and one man s journey to redemption, executive produced by Daniel Craig and featuring songs by Scott Walker, David Bowie and Roxy Music.Leading man Daniel Craig apparently made Flashbacks of a Fool (he was also one of the executive producers) in between stints as James Bond, and you can see why he was attracted to it; Joe Scott, the character he portrays in this film, could hardly be less like the suave, ever-resourceful 007. Ensconced in a fab, oceanfront Malibu crib, Joe is a movie star on the skids. Hooked on coke and drink, engaging in group gropes with dumb Hollywood bimbos, he’s sunk so low that his sassy assistant (Eve) calls him "a disgrace to white folks," and even his agent is sick of him, which is somewhat! akin to a parasite dissing its host (it’s a measure of writ! er-direc tor Baillie Walsh’s script’s lack of depth that we never really see what made Joe so great in the first place, or so bad now). When a call comes that a childhood friend has died, Joe decides to return to his native England for the funeral, whereupon an extended flashback kicks in. Young Joe (Harry Eden), it seems, was as randy and hopelessly naïve as a lot of teenage boys. Though he had the hots for the sexiest young thang in town (a coastal village that’s as lovely in its way as the California setting, both of them handsomely photographed by cinematographer John Mathieson; the locations, in fact, are probably the most attractive element of the film), he also wasn’t immune to the advances of Evelyn (Jodhi May), the older married woman who lives next door. And when a tragedy involving Evelyn’s daughter struck while she and Joe were in flagrante, Joe handled it by leaving town, never to return--until now, that is. He discovers that his late pal’s widow is! the same young girl Joe’d had his eye on, but otherwise his homecoming is a strangely muted affair; not a lot happens, which pretty much applies to the film overall. In the end, Flashbacks of a Fool has its touching moments, but it might have turned out better had it been both shaken and stirred. --Sam Graham

Stills from Flashbacks of a Fool (Click for larger image)

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Quiksilver Young Men's Fog Woven Regular Fit Shirt, Dark Workwear Blue, Medium

• Regular fit
• Yarn dyed plaid
• Left chest pocket
• Washed for softness

Quiksilver Young Mens Fog long sleeve cotton flannel with left chest pocket and rollup sleeve tabs.

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The Fantasticks: The Complete Illustrated Text Plus the Official Fantasticks Scrapbook and History of the Musical

• Published by Applause Books 168 Pages
• by Harvey Schmidt and Tom Jones
• Author: Tom Jones

"Richly illustrated, it is ideal for fans of the show, as well as admirers of musical theatre." - Variety * "Anybody who has seen the show (who hasn't?) should read the book" - Entertainment Today * "The perfect present for any Fantasticks fans." - Cleveland Plain Dealer * "A valuable resource. Recommended for all collections." - Choice

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Levis Men's Faux Leather Aviator Bomber, Brown, Medium

• Sherpa lined
• Rugged-look

Faux leather aviator bomber

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