- UK Import
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- Region-Free
After his father’s accidental death, Kale (Shia LaBeouf) remains withdrawn and troubled. When he lashes out at a well-intentioned but insensitive teacher, he finds himself under a court-ordered house arrest. His mother continues to cope, working extra shifts to support herself and her son, as she tries in vain to understand the changes in his personality. The walls of his house begin to close in on Kale as he takes chances to extend the boundaries both physical and emotional â€" of his confinement. His interests turn outside the windows of his suburban home toward those of his neighbors, including a mutual attraction to the new girl next door (Sarah Roemer). Together, they begin to suspect that another neighbor is a serial killer. Are their suspicions merely the product of Kale’s cabin fever and vivid imagination? Or have they unwittingly! stumbled across a crime that could cost them their lives?Alfred Hitchcock fans may experience déjà vu upon exposure to this voyeuristic thriller. That's because director DJ Caruso (
The Salton Sea) and co-writer Carl Ellsworth (
Red Eye) use
Rear Window as a jumping-off point before cherry-picking from more recent scare fare, like
The Blair Witch Project. In the prologue, 17-year-old Kale (Shia LaBeouf,
Holes) loses his beloved father to a car crash. A year passes, and he's still on edge. When a teacher makes a careless remark about his dad, Kale punches him out, and is sentenced to house arrest. After his mom (Carrie-Anne Moss,
Memento) takes away his Xbox and iTunes privileges, the suburban slacker spies on his neighbors to pass the time. In the process, he develops a crush on Ashley (Sarah Roemer,
The Grudge 2), the hot girl next door, and becomes convinced that another, the soft-spoken Mr. Turner (David Morse,
The Gre! en Mile), is a serial killer. With the help of the flirtat! ious Ash ley, practical joke-playing pal Ronnie (Aaron Yoo), and an array of high-tech gadgets, like cell-phone cameras and digital camcorders, Kale sets out to solve a major case without leaving his yard (a feat that would prove more challenging for a less affluent sleuth). In the end, it's pretty familiar stuff, but there are plenty of scares once Turner realizes he's being watched, and rising star LaBeouf, who next appears in Michael Bay's
Transformers, makes for an engaging leading man--despite his character’s propensity for slugging Spanish instructors. --
Kathleen C. Fennessy
Beyond Disturbia
Why We Love Shia LaBeouf | 
The Soundtrack | 
Rear Window |
Stills from Disturbia (click for larger image) After his father’s accidental death, Kale (Shia LaBeouf) remains withdrawn and troubled. When he lashes out at a well-intentioned but insensitive teacher, he finds himself under a court-ordered house arrest. His mother continues to cope, working extra shifts to support herself and her son, as she tries in vain to understand the changes in his personality. The walls of hi! s house begin to close in on Kale as he takes chances to extend the boundaries both physical and emotional â€" of his confinement. His interests turn outside the windows of his suburban home toward those of his neighbors, including a mutual attraction to the new girl next door (Sarah Roemer). Together, they begin to suspect that another neighbor is a serial killer. Are their suspicions merely the product of Kale’s cabin fever and vivid imagination? Or have they unwittingly stumbled across a crime that could cost them their lives?Alfred Hitchcock fans may experience déjà vu upon exposure to this voyeuristic thriller. That's because director DJ Caruso (
The Salton Sea) and co-writer Carl Ellsworth (
Red Eye) use
Rear Window as a jumping-off point before cherry-picking from more recent scare fare, like
The Blair Witch Project. In the prologue, 17-year-old Kale (Shia LaBeouf,
Holes) loses his beloved father to a car crash. A year passes, ! and he's still on edge. When a teacher makes a careless remark! about h is dad, Kale punches him out, and is sentenced to house arrest. After his mom (Carrie-Anne Moss,
Memento) takes away his Xbox and iTunes privileges, the suburban slacker spies on his neighbors to pass the time. In the process, he develops a crush on Ashley (Sarah Roemer,
The Grudge 2), the hot girl next door, and becomes convinced that another, the soft-spoken Mr. Turner (David Morse,
The Green Mile), is a serial killer. With the help of the flirtatious Ashley, practical joke-playing pal Ronnie (Aaron Yoo), and an array of high-tech gadgets, like cell-phone cameras and digital camcorders, Kale sets out to solve a major case without leaving his yard (a feat that would prove more challenging for a less affluent sleuth). In the end, it's pretty familiar stuff, but there are plenty of scares once Turner realizes he's being watched, and rising star LaBeouf, who next appears in Michael Bay's
Transformers, makes for an engaging leading man--despite his c! haracter’s propensity for slugging Spanish instructors. --
Kathleen C. Fennessy
Beyond Disturbia
Why We Love Shia LaBeouf | 
The Soundtrack |
Rear Window |
Stills from Disturbia (click for larger image) After his father’s accidental death, Kale (Shia LaBeouf) remains withdrawn and troubled. When he lashes out at a well-intentioned but insensitive teacher, he finds himself under a court-ordered house arrest. His mother continues to cope, working extra shifts to support herself and her son, as she tries in vain to understand the changes in his personality. The walls of his house begin to close in on Kale as he takes chances to extend the boundaries both physical and emotional â€" of his confinement. His interests turn outside the windows of his suburban home toward those of his neighbors, including a mutual attraction to the new girl next door (Sarah Roemer). Together, they begin to suspect that another neighbor is a serial killer. Are their suspicions merely the product of Kale’s cabin fever and vivid imagination? Or have they unwittingly stumbled across a crime! that could cost them their lives?Alfred Hitchcock fans may ex! perience déjà vu upon exposure to this voyeuristic thriller. That's because director DJ Caruso (
The Salton Sea) and co-writer Carl Ellsworth (
Red Eye) use
Rear Window as a jumping-off point before cherry-picking from more recent scare fare, like
The Blair Witch Project. In the prologue, 17-year-old Kale (Shia LaBeouf,
Holes) loses his beloved father to a car crash. A year passes, and he's still on edge. When a teacher makes a careless remark about his dad, Kale punches him out, and is sentenced to house arrest. After his mom (Carrie-Anne Moss,
Memento) takes away his Xbox and iTunes privileges, the suburban slacker spies on his neighbors to pass the time. In the process, he develops a crush on Ashley (Sarah Roemer,
The Grudge 2), the hot girl next door, and becomes convinced that another, the soft-spoken Mr. Turner (David Morse,
The Green Mile), is a serial killer. With the help of the flirtatious Ashley, practical joke-playi! ng pal Ronnie (Aaron Yoo), and an array of high-tech gadgets, like cell-phone cameras and digital camcorders, Kale sets out to solve a major case without leaving his yard (a feat that would prove more challenging for a less affluent sleuth). In the end, it's pretty familiar stuff, but there are plenty of scares once Turner realizes he's being watched, and rising star LaBeouf, who next appears in Michael Bay's
Transformers, makes for an engaging leading man--despite his character’s propensity for slugging Spanish instructors. --
Kathleen C. Fennessy
Beyond Disturbia
Why We Love Shia LaBeouf | 
The Soundtrack | ! ![]()
Rear Window |
Stills from Disturbia (click for larger image) After his father’s accidental death, Kale (Shia LaBeouf) remains withdrawn and troubled. When he lashes out at a well-intentioned but insensitive teacher, he finds himself under a court-ordered house arrest. His mother continues to cope, working extra shifts to support herself and her son, as she tries in vain to understand the changes in his personality. The walls of his house begin to close i! n on Kale as he takes chances to extend the boundaries both ph! ysical a nd emotional â€" of his confinement. His interests turn outside the windows of his suburban home toward those of his neighbors, including a mutual attraction to the new girl next door (Sarah Roemer). Together, they begin to suspect that another neighbor is a serial killer. Are their suspicions merely the product of Kale’s cabin fever and vivid imagination? Or have they unwittingly stumbled across a crime that could cost them their lives?Alfred Hitchcock fans may experience déjà vu upon exposure to this voyeuristic thriller. That's because director DJ Caruso (
The Salton Sea) and co-writer Carl Ellsworth (
Red Eye) use
Rear Window as a jumping-off point before cherry-picking from more recent scare fare, like
The Blair Witch Project. In the prologue, 17-year-old Kale (Shia LaBeouf,
Holes) loses his beloved father to a car crash. A year passes, and he's still on edge. When a teacher makes a careless remark about his dad, Kale punches him ! out, and is sentenced to house arrest. After his mom (Carrie-Anne Moss,
Memento) takes away his Xbox and iTunes privileges, the suburban slacker spies on his neighbors to pass the time. In the process, he develops a crush on Ashley (Sarah Roemer,
The Grudge 2), the hot girl next door, and becomes convinced that another, the soft-spoken Mr. Turner (David Morse,
The Green Mile), is a serial killer. With the help of the flirtatious Ashley, practical joke-playing pal Ronnie (Aaron Yoo), and an array of high-tech gadgets, like cell-phone cameras and digital camcorders, Kale sets out to solve a major case without leaving his yard (a feat that would prove more challenging for a less affluent sleuth). In the end, it's pretty familiar stuff, but there are plenty of scares once Turner realizes he's being watched, and rising star LaBeouf, who next appears in Michael Bay's
Transformers, makes for an engaging leading man--despite his character’s propensity ! for slugging Spanish instructors. --
Kathleen C. Fennessy
Beyond Disturbia
Why We Love Shia LaBeouf |
The Soundtrack |
Rear Window |
Stills from Disturbia (click for larger image) Even on this quiet tree-lined street, no one is safe . . . especially from the savage killer next door. Welcome to
Disturbia, "a cool thriller with big scares" (Richard Roeper,
Ebert & Roeper).
Living under three months' house arrest, Kale Brecht (Shia LaBeouf, Transformers) passes his days spying on the neighbors. It's all fun and games until things take a horrifying turn for the worse. Kale is convinced his neighbor next door is a serial killer - but he can't prove anything, can't convince anyone and can't leave his house without triggering an alarm. Enlisting the help of his friends, Kale is determined to expose the truth - but have they all taken on more than they bargained for with a cold-blooded murderer on the loose?
With nowhere to run and nowhere to hide, Kale and his friends are in a race for their lives in this electrifying thriller that will keep you on the edge of your seat.
Genre: Action/Adventure
Rating! : PG13
Release Date: 27-DEC-2008
Media Type: DVDThe "cell phone thriller" is becoming a genre unto itself, and Eagle Eye should be considered a key example of the form. Frankly preposterous but compulsively watchable, this movie puts Shia LaBeouf in a mess of trouble instigated by a mysterious telephone voice. If he doesn't follow orders, dire things will happen--although when he does follow orders, the consequences are pretty dire, anyway. Also being blackmailed is a single mom (Michelle Monaghan) receiving similar phone calls. Why are they being jerked around by the purring female voice, and why is the road leading to Washington, D.C.? Actually, you won't have time to contemplate these questions, because director D.J. Caruso (who guided LaBeouf in Disturbia) keeps the action going at the customary breakneck pace. This is a wise move, because the real questions you'd likely be asking have to do with the plausibility of events on a minu! te-by-minute basis (most notably: how could Mysterious Phone V! oice pos sibly know that the two pigeons would survive the hoops she makes them fly through, each one more death-defying than the last?). The actors tumble through this mayhem like scattering bowling pins, including Billy Bob Thornton and Rosario Dawson as government agents. Nobody has time to make much of an impression, and LaBeouf has much less room for puppydog charm than he did in Disturbia. Even that would be all right within the movie's berserk parameters, but the really irritating thing is the way the tacked-on final scenes reverse what would have been a heroic climax. No guts, no glory. --Robert Horton
Stills from Eagle Eye (Click for larger image)
fter his father's accidental death, Kale (Shia LaBeouf) remains withdrawn and troubled. When he lashes out at a well-intentioned but insensitive teacher, he finds himself under a court-ordered house arrest. His mother continues to cope, working extra shifts to support herself and her son, as she tries in vain to understand the changes in his personality. The walls of his house begin to close in on Kale as he takes chances to extend the boundaries both physical and emotional - of his confinement. His interests turn outside the windows of his suburban home toward those of his neighbors, inclu! ding a mutual attraction to the new girl next door (Sarah Roemer). Together, they begin to suspect that another neighbor is a serial killer. Are their suspicions merely the product of Kale's cabin fever and vivid imagination? Or have they unwittingly stumbled across a crime that could cost them their lives?Alfred Hitchcock fans may experience déjà vu upon exposure to this voyeuristic thriller. That's because director DJ Caruso (
The Salton Sea) and co-writer Carl Ellsworth (
Red Eye) use
Rear Window as a jumping-off point before cherry-picking from more recent scare fare, like
The Blair Witch Project. In the prologue, 17-year-old Kale (Shia LaBeouf,
Holes) loses his beloved father to a car crash. A year passes, and he's still on edge. When a teacher makes a careless remark about his dad, Kale punches him out, and is sentenced to house arrest. After his mom (Carrie-Anne Moss,
Memento) takes away his Xbox and iTunes privileges, the su! burban slacker spies on his neighbors to pass the time. In the! process , he develops a crush on Ashley (Sarah Roemer,
The Grudge 2), the hot girl next door, and becomes convinced that another, the soft-spoken Mr. Turner (David Morse,
The Green Mile), is a serial killer. With the help of the flirtatious Ashley, practical joke-playing pal Ronnie (Aaron Yoo), and an array of high-tech gadgets, like cell-phone cameras and digital camcorders, Kale sets out to solve a major case without leaving his yard (a feat that would prove more challenging for a less affluent sleuth). In the end, it's pretty familiar stuff, but there are plenty of scares once Turner realizes he's being watched, and rising star LaBeouf, who next appears in Michael Bay's
Transformers, makes for an engaging leading man--despite his character’s propensity for slugging Spanish instructors. --
Kathleen C. Fennessy
Beyond Disturbia
Why We Love Shia LaBeouf |
The Soundtrack |
Rear Window |
Stills from Disturbia (click for larger image) 
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