Julia

• Julia, 40, is an alcoholic. She is a manipulative, unreliable, compulsive liar, all strung out beneath her still flamboyant exterior. Between shots of vodka and one-night stands, Julia gets by on nickel-and-dime jobs. Increasingly lonely, the only consideration she receives comes from her friend Mitch, who tries to help her. But she shrugs him off, as her alcohol-induced confusion daily reinforces

One man is filled with hope for a new life in America. The other is convinced there is nothing left to live for. Together, this odd couple will embark on a journey that will change them both forever. From acclaimed director Ramin Bahrani (CHOP SHOP) comes a powerful story of friendship and forgiveness that earned rave reviews and won the International Critics Prize at the Venice Film Festival.A conversation with Jake Tapper of ABC News || A conversation about the play "God of Carnage" with James ! Gandolfini; Hope Davis; Jeff Daniels and Marcia Gay Harden || A conversation about the film "Goodbye Solo" with writer and director Ramin Bahrani; and actors: Souleymane Sy Savane and Red WestAcademy Award®-winner Tilda Swinton plays Julia, an alcoholic who, between shots of vodka and one-night stands, gets by on nickel-and-dime jobs. Increasingly lonely, her alcohol-induced confusion daily reinforces her sense that life has dealt her a losing hand. Seeing a financial opportunity after encountering a woman estranged from her son, Julia throws herself into a criminal plot that escalates beyond anything she ever imagined.

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Wallmonkeys Peel and Stick Wall Decals - Business Man Choking Himself with Tie - 24"W x 16"H Removable Graphic

• ALL orders CUSTOM printed. When you place an order, the image is made in the USA, just for you!
• Printed on WHITE, premium, self-adhesive, re-positionable fabric paper.
• No nails, frames or glue. No professional installation required.
• Simply peel and stick! Easy to remove and re-apply.
• BE SURE you ordered the right size for your intended use!

Jorge is a morbidly shy Ecuadorian dishwasher toiling away in a shabby diner in Queens, New York. From his solitary kitchen corner, Jorge quietly attempts to forge a bond with Amy, the newly hired Chinese waitress, but even though she tries to reciprocate, the gulf that separates them may be too large. On the job he is continually tormented by a coworker, and at home, in his Harlem apartment, under the psychological control of his domineering "roommate," he battles his inner demons. Choking Man captures the feeling of! claustrophobia and almost literal asphyxiation newcomers to America experience as they struggle to find a place and purpose in this strange land.WallMonkeys wall graphics are printed on the highest quality re-positionable, self-adhesive fabric paper. Each order is printed in-house and on-demand. WallMonkeys uses premium materials & state-of-the-art production technologies. Our white fabric material is superior to vinyl decals. You can literally see and feel the difference. Our wall graphics apply in minutes and won't damage your paint or leave any mess. PLEASE double check the size of the image you are ordering prior to clicking the 'ADD TO CART' button. Our graphics are offered in a variety of sizes and prices.

WallMonkeys are intended for indoor use only.

Printed on-demand in the United States Your order will ship within 3 business days, often sooner. Some orders require the full 3 days to allow dark colors and inks to fully dry prior to shipping. Quality is wo! rth waiting an extra day for!

Removable and will not leav! e a mark on your walls.

'Fotolia' trademark will be removed when printed.

Our catalog of over 10 million images is perfect for virtually any use: school projects, trade shows, teachers classrooms, colleges, nurseries, college dorms, event planners, and corporations of all size.

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A Bit of Fry and Laurie - The Complete Collection... Every Bit!

• Stephen Fry and Hugh Laurie are best known outside of their native U.K. for the various acting roles they've taken in major productions. In Fry's case, big-screen roles in WILDE and PETER'S FRIENDS helped establish his name. In Laurie's case, the hit TV show HOUSE made him a firm favorite with American audiences. They are also known and loved for their joint turn in the irreverent

Dorian Lever wants to romance unwed mother-to-be Sally Jackons but his brother Angus wants to kill her. Sally, the local drive-thru order taker, is caught up in the darkly funny family brouhaha that is largely orchestrated by the Levers' manipulative mother.er.
Genre: Feature Film-Comedy
Rating: PG13
Release Date: 1-JUN-2004
Media Type: DVDA man is frightened to death by a menacing military helicopter, piloted by two young Texan men who just happen to be the dead man's stepson! s, Dorian and Angus (Luke Wilson and Jake Busey). To complicate matters, the dead man had had an affair with young Sally (Drew Barrymore), a clerk at the local Burger-Matic who didn't know the guy was married. Now she's pregnant and looking for a supportive guy to be her unborn child's potential father. Dorian fits the role quite nicely, but Angus thinks Sally knows about the helicopter incident, and their scheming mother (Catherine O'Hara) is trying to mastermind a cover-up, and....

So goes the cleverly amusing plot of this light, character-based romantic comedy, which proves Barrymore's charm and versatility once again, gives O'Hara one of her best roles, and moves right along at its own amiable pace. Small-town romance combines with darkly tinged comedy (scripted by X-Files staffer Vince Gilligan), and first-time director Dean Parisot guides it all with casual assurance. There's nothing going on here that's particularly inspired, but Barrymore and Wilson (an! off-screen couple during production) make a delightful pair, ! and the cast makes the most of some hilarious down-home dialogue. All in all, a very pleasant diversion. --Jeff ShannonGrunge rock. Fast food. And da family. What's not to love? Matt Dillon leads a gifted ensemble in singles (Disc 1/Side A), Cameron Crowe's rock-laced tale of Seattle twentysomethings (including Bridget Fonda and Kyra Sedgwick) searching for and running from romance. Want fries with that? In Home Fries (Disc 1/Side B), Drew Barrymore plays an unwed mother-to-be and Burger-Matic employee who's the focus of attention of two offbeat brothers: one (Luke Wilson) who wants to marry her...one (Jake Busey) who wants to murder her. Next, Hugh Grant walks the wawk and talks the tawk as Mickey Blue Eyes (Disc 2). He becomes Noo Yawk's most unlikely mobster when his romance with a schoolteacher (Jeanne Tripplehorn) entangles him in the workings of her mob family (headed by James Caan).Summer Catch Rock Star Home Fries Addicted to LoveA man is frightened to death by a mena! cing military helicopter, piloted by two young Texan men who just happen to be the dead man's stepsons, Dorian and Angus (Luke Wilson and Jake Busey). To complicate matters, the dead man had had an affair with young Sally (Drew Barrymore), a clerk at the local Burger-Matic who didn't know the guy was married. Now she's pregnant and looking for a supportive guy to be her unborn child's potential father. Dorian fits the role quite nicely, but Angus thinks Sally knows about the helicopter incident, and their scheming mother (Catherine O'Hara) is trying to mastermind a cover-up, and....

So goes the cleverly amusing plot of this light, character-based romantic comedy, which proves Barrymore's charm and versatility once again, gives O'Hara one of her best roles, and moves right along at its own amiable pace. Small-town romance combines with darkly tinged comedy (scripted by X-Files staffer Vince Gilligan), and first-time director Dean Parisot guides it all with casua! l assurance. There's nothing going on here that's particularly! inspire d, but Barrymore and Wilson (an off-screen couple during production) make a delightful pair, and the cast makes the most of some hilarious down-home dialogue. All in all, a very pleasant diversion. --Jeff ShannonBIT OF FRY & LAURIE:COLLECTION EVERY - DVD MovieIf terms like "pimhole" and "lesbotic tendencies" reduce you to a fit of giggles, you've already discovered the daffy pleasures of Fry and Laurie. Stephen Fry and Hugh Laurie have gone on to other successes in film and television (not only did they gain acclaim and adoration as the title characters of Jeeves & Wooster, Laurie has become a household name in the U.S. as the star of House), but their comedy collaborations from the 1980s and '90s have earned them a place in the pantheon of British humor, somewhere between Monty Python and Ricky Gervais. They specialize in "linguistic elasticity," amazing flights of verbal lunacy ranging from overwrought poetry criticism to inventing their own swearwords! to protest censorship. A Bit of Fry & Laurie: The Complete Collection... Every Bit! includes all four Fry & Laurie seasons, broadcast between 1987 and 1995. Conservatism is a regular target--an early sketch about a father protesting his son being taught biology is startlingly current--but politics generally takes a back seat to ridiculousness. Fry impersonates Michael Jackson; a doctor prescribes cigarettes; an exceedingly gracious jewelry salesman woos a customer with candied sweets; Fry and Laurie, with righteous indignation, castigate their audience for laughing at serious matters like alcoholism and genital fungus. The fourth series isn't as inspired, overall, but it does feature sparkling moments, such as a version of It's a Wonderful Life starring Rupert Murdoch. Armed with a startling array of false facial hair (and, as the seasons progress, an increasing amount of drag), Fry and Laurie introduce notions like screaming lettuce, a synchronized lo! sing team, and the Omar Sharif Comedy Hour. It's divine sillin! ess; any fan of British comedy will delight in "Every Bit" of Fry and Laurie. --Bret Fetzer

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Dreamer - Inspired By a True Story (Widescreen Edition)

• Features include: -MPAA Rating: PG -Format: DVD-Runtime: 106 minutes

Features include:

•MPAA Rating: PG
•Format: DVD
•Runtime: 106 minutes
The title is a mouthful, but Dreamer: Inspired by a True Story hits the winner's circle as a warm and inspiring family film. Ben Crane (Kurt Russell) is a Kentucky horse trainer who watches in horror as a championship filly breaks its leg during a practice run. Ordinarily that means curtains, but today Ben's daughter, Cale (Dakota Fanning), is at the track, and Ben impulsively buys the horse and loses his job in one fell swoop. The rehabilitation process is almost too much for a farm that's already struggling to survive in a modern economy, but the horse turns out to be a much-needed salve to the nearly broken family, including Ben's wife (Elisabeth Shue) and father (Kris Kristofferson). The cast is excell! ent, especially Fanning (who at age 11 has become a major star and was branded by Entertainment Weekly as the most powerful actress in Hollywood), and the film is well-paced by director-writer John Gatins and beautifully shot by cinematographer Fred Murphy. Surely the ultimate fate of the horse and the family won't surprise anyone, but young girls who love horses often don't need a surprise ending. They need a reason to cheer, and Dreamer delivers all the way. (Ages 6 and older: moments of horse peril) --David Horiuchi

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Head in the Clouds

• ISBN13: 9780764207563
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

As war clouds gather over Europe, a free-spirited socialite and her two lovers live a life of pleasure and privilege until the Spanish Civil War tears them apart. Starring Charlize Theron and Penelope Cruz.If movies were solely about the cheap pleasure of watching gorgeous people make grand gestures in epic circumstances--because, sure, sometimes movies are--director/screenwriter John Duigan's goopy, obvious, overwrought contemplation of how global unrest really messes with your love life would be Oscar-worthy. Charlize Theron, Stuart Townsend, and Penelope Cruz are headstrong 1930s playthings who each discover that they need to pull their attractive heads out of their inviting behinds if th! ey're going to play a part in stopping the spread of European fascism. Charlize is socialite Gilda, who ensnares both brooding, Cambridge-educated Irishman Townsend and Spanish rebel Cruz (who is particularly ill-defined) in a love triangle while seemingly caring not a whit for the imminent goosesteps of the Nazis. Charlize wears a lot of fabulous outfits, and she and real-life paramour Townsend do impetuous things like sport fedoras while romping in a milky-white bathtub; Cruz, meanwhile, performs a passionate impromptu striptease. Hey, there are worse ways to be entertained. Unfortunately, you don't really give a damn about any of them, and you can predict what's going to happen to all of them well before it actually does. It's an efficient, glamorous, hokey, ultimately downbeat time-killer for anyone willing to spend two hours trying to decide which of the doe-eyed trio you'd save from destruction first. --Steve WieckingAdelaide Proctor is a young woman with her h! ead in the clouds, longing for a real-life storybook hero to c! laim as her own. But when a husband-hunting debacle leaves her humiliated, she interviews for a staid governess position on a central Texas sheep ranch and vows to leave her romantic yearnings behind.

When Gideon Westcott left his privileged life in England to make a name for himself in America's wool industry, he never expected to become a father overnight. And five-year-old Isabella hasn't uttered a word since she lost her mother. The unconventionality of the new governess concerns Gideon--and intrigues him at the same time. But he can't afford distractions. He has a ranch to run, a shearing to oversee, and a suspicious fence-cutting to investigate.

When Isabella's uncle comes to claim the child--and her inheritance--Gideon and Adelaide must work together to protect Isabella from the man's evil schemes. And soon neither can deny their growing attraction. But after so many heartbreaks, will Adelaide be willing to get her head out of the clouds and put her heart o! n the line?

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Four Minutes

• For over sixty years, aged pianist Traude Kr ger has been teaching piano at the women's prison. But she's never met someone like Jenny, a convicted killer beating everything around her to a pulp just to amuse herself. But Jenny used to be a great musical talent. And she still is under her impenetrable facade. She could manage to win a prestigious piano contest she is allowed to participate

For over sixty years, aged pianist Traude Krüger has been teaching piano at the women s prison. But she s never met someone like Jenny, a convicted killer beating everything around her to a pulp just to amuse herself. But Jenny used to be a great musical talent. And she still is under her impenetrable facade. She could manage to win a prestigious piano contest she is allowed to participate in despite her prison sentence. However, a contest is no challenge to someone who wants life to stand still.Four Mi! nutes recalls the lineage of films dedicated to marginalized characters who find solace in piano playing, such as Jane Campion’s The Piano, yet there is more to this drama than the story of a woman yearning for autonomy. Jenny (Hannah Herzsprung), a prisoner described as the type to "steal a smoke from a corpse" by another inmate, is wasting away in a German penitentiary until she is recruited by piano teacher, Traude Krüger (Monica Bleibtrau), to train for a contest coming up. Krüger, who sees Jenny’s fingers keying organ music on her church pew in Sunday mass, realizes Jenny’s innate talent and slowly heals her student through music as well as through conversations revealing their mutually difficult pasts. While Jenny’s violent outbursts continuously disrupt her piano privileges, Traude heroically defends Jenny in meetings with the hard-edged warden, Mr. Meyerbeer (Stefan Kurt). The crux of the story lies in the friendship forged between these women t! hrough Traude’s determination to heal her young prodigy. Thr! ough fla shback, the viewer learns what male violence was inflicted upon each lady. Four Minutes, subtitled from German, is a bit humorless, and one doesn’t glimpse even a slight smile on any character’s face until fifty minutes of film have rolled. Jenny’s outbursts at the piano as well, such as when she plays handcuffed to defy Meyerbeer, are overwrought. Still, the lack of sentimentality inherent to each character lends a wry realism to the intelligent script, such as when Ms. Krüger tells Jenny to stop playing "negro music," exposing her antiquated, uptight musical taste. Four Minutes succeeds at illustrating a relationship in which two women cut from different cloth share commonalities that assume a female essence, though at their core they crave a universal desire for freedom. --Trinie Dalton

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Divine Horsemen: The Living Gods of Haiti

• ISBN13: 9780914232636
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

They are real. They are the harbingers of the Apocalypse. And only one woman stands between them and us. THE FOUR HORSEMEN is a race-against-the-clock thriller starring Andie Sullivan. As the world's only "culturalist," she is employed by corporations and wealthy individuals to break through the barriers with any culture around the globe. Now, she faces the most challenging and dangerous assignment of her career. Hired by a ruthless businessman to infiltrate the mysterious tribe who serve as the protectors of the Four Horsemen's ancient secret, Andie is plunged into a mysterious world where every answer only opens the door to more questions. With a shadowy government force and a brutal terrorist also v! ying for the Horsemen's unfathomable power, Andie must collect them all and unlock their mysteries before time runs out.A boy's account of growing up in the South during the depression era. Both a rare first novel and a new American classic, Sams novel has been compared to Tom Sawyer and To Kill a Mockingbird.Includes photographs and drawings. Foreword by Joseph Campbell This is the classic, intimate study, movingly written with the special insight of direct encounter, which was first published in 1953 by the fledgling Thames & Hudson firm in a series edited by Joseph Campbell. Maya Deren's Divine Horsemen is recognized throughout the world as a primary source book on the culture and spirituality of Haitian Voudoun. The work includes all the original photographs and illustrations, glossary, appendices and index. It includes the original Campbell foreword along with the foreword Campbell added to a later edition.

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Objectified

• OBJECTIFIED (DVD MOVIE)

I Want My MTV. Think Small. Just Do It. Got Milk? Where do these phrases come from? ART & COPY introduces the cultural visionaries who revolutionized advertising during the industry s golden age in the 1960s by creating slogans to live by and ads we all remember. You may have never heard of them, but pop pioneers Lee Clow, Hal Riney, George Lois, Mary Wells, Jeff Goodby, Rich Silverstein, Phyllis K. Robinson, Dan Wieden, and David Kennedy have changed the way we eat, work, shop, and communicate often in ways we don t even realize. From the introduction of the Volkswagen to America to the triumph of Apple Computers, ART & COPY explores the most successful and influential advertising campaigns of the 20th century, and the creative minds that launched them.George Clooney (The Perfect Storm) and John Turturro (Cars 2)embark on the adventure of a lifetime in! this hilarious, offbeat road picture. And now, for the first time, this quirky gem shines more brightly than ever in Blu-ray High Definition! Fed up with crushing rocks on a prison farm in Mississippi, the dapper, silver-tongued Ulysses Everett McGill (Clooney) busts loose...except he's still shackled to two misfits from his chain gang: bad-tempered Pete (Turturro), and sweet, dimwitted Delmar (Tim Blake Nelson). With nothing to lose and buried loot to regain, the three embark on a riotous odyssey filled with chases, close calls, near misses and betrayal. Experience every unpredictable moment as it plays out in the crystal-clear sound and breathtaking picture quality of Blu-ray. Populated with strange characters, including a blind prophet, sexy sirens, and a one-eyed Bible salesman (John Goodman), O Brother, Where Art Thou? will leave you laughing at every outrageous and surprising twist and turnOnly Joel and Ethan Coen, the fraternal director and producer team behi! nd art-house hits such as The Big Lebowski and Fargo! and masters of quirky and ultra-stylish genre subversion, would dare nick the plot line of Homer's Odyssey for a comic picaresque saga about three cons on the run in 1930s Mississippi. Our wandering hero in this case is one Ulysses Everett McGill, a slick-tongued wise guy with a thing about hair pomade (George Clooney, blithely sending up his own dapper image) who talks his chain-gang buddies (Coen-movie regular John Turturro and newcomer Tim Blake Nelson) into lighting out after some buried loot he claims to know of. En route they come up against a prophetic blind man on a railroad truck, a burly, one-eyed baddie (the ever-magnificent John Goodman), a trio of sexy singing ladies, a blues guitarist who's sold his soul to the devil, a brace of crooked politicos on the stump, a manic-depressive bank robber, and--well, you get the idea. Into this, their most relaxed film yet, the Coens have tossed a beguiling ragbag of inconsequential situations, a wealth of looping, left-field di! alogue, and a whole stash of gags both verbal and visual. O Brother (the title's lifted from Preston Sturges's classic 1941 comedy Sullivan's Travels) is furthermore graced with glowing, burnished photography from Roger Deakins and a masterly soundtrack from T-Bone Burnett that pays loving homage to American '30s folk styles--blues, gospel, bluegrass, jazz, and more. And just to prove that the brothers haven't lost their knack for bad-taste humor, we get a Ku Klux Klan rally choreographed like a cross between a Nuremberg rally and a Busby Berkeley musical. --Philip KempObjectified is a feature-length documentary about our complex relationship with manufactured objects and, by extension, the people who design them. In his second film, director Gary Hustwit (Helvetica) documents the creative processes of some of the world's most influential product designers, and looks at the creativity at work behind everything from toothbrushes to tech gadgets. What can we lea! rn about who we are, and who we want to be, from the objects w! ith whic h we surround ourselves?

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Gone

• ISBN13: 9780061448782
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! BUY WITH CONFIDENCE, Over one million books sold! 98% Positive feedback. Compare our books, prices and service to the competition. 100% Satisfaction Guaranteed

In the blink of an eye.

Everyone disappears.

Gone.

Everyone except for the young. Teens. Middle schoolers. Toddlers. But not a single adult. No teachers, no cops, no doctors, no parents. Gone, too, are the phones, internet, and television. There is no way to get help.

Hunger threatens. Bullies rule. A sinister creature lurks. Animals are mutating. And the teens themselves are changing, developing new talentsâ€"unimaginable, dangerous, deadly powersâ€"that grow stronger by the day.

It's a terrifying new world. Sides are being chosen and war is imminent.

The first in a breathtaking saga about tee! ns battling each other and their darkest selves, gone is a page-turning thriller that will make you look at the world in a whole new way.

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Mel Gibson's Apocalypto (Widescreen Edition)

• All Movie Guide - As the foundation of the Mayan civilization begins to crumble, one man's previously idyllic existence is forever changed when he is chosen as a sacrifice needed to appease the gods in director Mel Gibson's mythic, end-times adventure. The Mayan kingdom is at the absolute height of opulence and power, but leaders are convinced that unless more temples are constructed and m

From Mel Gibson, director of THE PASSION OF THE CHRIST and the Academy Award®-winning BRAVEHEART (Best Director, Best Picture, 1995) comes the thrilling historical epic APOCALYPTO. This intense, nonstop action-adventure transports you to an ancient South American civilization, for an experience unlike anything you’ve ever known. In the twilight of the mysterious Mayan culture, young Jaguar Paw is captured and taken to the great Mayan city where he faces a harrowing end. Driven by the power of his love ! for his wife and son, he makes an adrenaline-soaked, heart-racing escape to rescue them and ultimately save his way of life. Filled with unrelenting action and stunning cinematography, APOCALYPTO is an enthralling and unforgettable film experience.'Forget any off-screen impressions you may have of Mel Gibson, and experience Apocalypto as the mad, bloody runaway train that it is. The story is set in the pre-Columbian Maya population: one village is brutally overrun, its residents either slaughtered or abducted, by a ruling tribe that needs slaves and human sacrifices. We focus on the capable warrior Jaguar Paw (Rudy Youngblood), although Gibson skillfully sketches a whole population of characters--many of whom don't survive the early reels. Most of the film is set in the dense jungle, but the middle section, in a grand Mayan city, is a dazzling triumph of design, costuming, and sheer decadent terror. The movie itself is a triumph of brutality, as Gibson lets loose hi! s well-established fascination with bodily mortification in a ! litany o f assaults including impalement, evisceration, snakebite, and bee stings. It's a dark, disgusted vision, but Gibson doesn't forget to apply some very canny moviemaking instincts to the violence--including the creation of a tremendous pair of villains (strikingly played by Raoul Trujillo and Rodolfo Palacias). The film is in a Maya dialect, subtitled in English, and shot on digital video (which occasionally betrays itself in some blurry quick pans). Amidst all the mayhem, nothing in the film is more devastating than a final wordless exchange of looks between captured villager Blunted (Jonathan Brewer) and his wife's mother (Maria Isabel Diaz), a superb change in tone from their early relationship. Yes, this is an obsessive, crazed movie, but Gibson knows what he's doing. --Robert Horton

Beyond Apocalypto

!

More films directed by Mel Gibson

Apocalypto soundtrack by James Horner

Stills from Mel Gibson's Apocalypto (click for larger image)

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