Epson Artisan 710 Wireless Color Inkjet All-In-One Printer (C11CA53201)

• Unbeatable quality and speed - Ultra HD 4x6 photos in as fast as 10 seconds.
• Automatic 2-sided printing and 2 paper trays
• Restore color to old, faded photos
• Easily charge a cell phone or MP3 player without tying up an additional outlet.
• Print directly onto CDs/DVDs

This book promotes a positive school spirit and sheds light on the school's history, going back to the late 1800's extending up to present day. It's a fun historical record of the students, the eras, the school and the city of Colorado Springs, Colorado. Who knew there was a ghost who haunts the school gym and that the surrounding area was once home to the Ute Indians? But, even better than that, you'll meet some of the students that once roamed the halls at Harrison, including "Oppie", a self-professed James Dean sort of guy. Athletes Ron Roehrich and Oren McClure will share their stories and t! ales from their adventures both on and off the field at Harrison High. And Pat Smith, the young girl who loved school, sets the stage with some whimsical memories from her experiences at that ol' High School that she'll forever remember. A book that anyone who has ever gone to high school will enjoy! This book is an accumulation of research material gathered from the local library, school yearbooks, newspaper clippings and from personal interviews with those who've attended the school.EPSON Artisan 710, Print/Copy/Scan/Photo/Wi-Fi

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Carriers

• Condition: New
• Format: DVD
• AC-3; Color; Dolby; Dubbed; DVD; Subtitled; Widescreen; NTSC

Four kids are driving through the desert on the way to the beach, their faces anything but cheery: this isn't Spring Break. They're trying to outrun the end of the world and each other. In Alex and David Pastor's Carriers, no one is safe from the viral pandemic threatening to wipe out the human race. Determined to elude the deadly virus, Danny (Lou Taylor Pucci), his brother Brian (Chris Pine), his girlfriend Bobby (Piper Perabo) and Danny's school friend Kate (Emily VanCampo) speed across the Southwestern U.S. to reach a place of possible safety. Over the course of four days, the group is faced with moral decisions that no human should ever be forced to face. They discover that their greatest enemy is not the microbe attacking humanity, but the darkness within themselves.

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Harry Potter and the Half-Blood Prince (Widescreen Edition)

• Voldemort is tightening his grip on both the Muggle and wizarding worlds and Hogwarts is no longer the safe haven it once was. Harry suspects that dangers may even lie within the castle, but Dumbledore is more intent upon preparing him for the final battle that he knows is fast approaching. Together they work to find the key to unlock Voldemort s defenses and, to this end, Dumbledore recruits his

Voldemort is tightening his grip on both the Muggle and wizarding worlds and Hogwarts is no longer the safe haven it once was. Harry suspects that dangers may even lie within the castle, but Dumbledore is more intent upon preparing him for the final battle that he knows is fast approaching. Together they work to find the key to unlock Voldemort’s defenses and, to this end, Dumbledore recruits his old friend and colleague, Professor Horace Slughorn, whom he believes holds crucial information. Even a! s the decisive showdown looms, romance blossoms for Harry, Ron, Hermione and their classmates. Love is in the air, but danger lies ahead and Hogwarts may never be the same. The sixth installment of the Harry Potter series begins right where The Order of the Phoenix left off. The wizarding world is rocked by the news that "He Who Must Not Be Named" has truly returned, and the audience finally knows that Harry is "the Chosen One"--the only wizard who can defeat Lord Voldemort in the end. Dark forces loom around every corner, and now regularly attempt to penetrate the protected walls of Hogwarts School. This is no longer the fun and fascinating world of magic from the first few booksâ€"it's dark, dangerous, and scary.

Harry (Daniel Radcliffe) suspects Draco Malfoy (Tom Felton) to be a new Death Eater recruit on a special mission for the Dark Lord. In the meantime, Professor Dumbledore (Michael Gambon) seems to have finally removed the shroud of secrecy fr! om Harry about the dark path that lies ahead, and instead prov! ides pri vate lessons to get him prepared. It's in these intriguing scenes that the dark past of Tom Riddle (a.k.a. Voldemort) is finally revealed. The actors cast as the different young versions of Riddle (Hero Fiennes-Tiffin and Frank Dillane) do an eerily fantastic job of portraying the villain as a child. While the previous movies' many new characters could be slightly overwhelming, only one new key character is introduced this time: Professor Horace Slughorn (with a spot-on performance by Jim Broadbent). Within his mind he holds a key secret in the battle to defeat the Dark Lord, and Harry is tasked by Dumbledore to uncover a memory about Voldemort's darkest weapon--the Horcrux. Despite the long list of distractions, Harry, Ron (Rupert Grint), and Hermione (Emma Watson) still try to focus on being teenagers, and audiences will enjoy the budding awkward romances. All of the actors have developed nicely, giving their most convincing performances to date.

More dramatic and si! gnificant things go down in this movie than any of its predecessors, and the stakes are higher than ever. The creators have been tasked with a practically impossible challenge, as fans of the beloved J.K. Rowling book series desperately want the movies to capture the magic of the books as closely as possible. Alas, the point at which one accepts that these two mediums are very different is the point at which one can truly enjoy these brilliant adaptations. Harry Potter and the Half-Blood Prince is no exception: it may be the best film yet. For those who have not read the book, nail-biting entertainment is guaranteed. For those who have, the movie does it justice. The key dramatic scenes, including the cave and the shocking twist in the final chapter, are executed very well. It does a perfect job of setting up the two-part grand finale that is to follow. --Jordan Thompson

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All About My Mother

• Widescreen
• Exclusive Interview with director Pedro Almodovar
• Subtitles in English and French
• Director's production notes
• Talent files

A single mother in Madrid sees her only son die on his 17th birthday as he runs to seek an actress's autograph. She goes to Barcelona to find the lad's father, a transvestite named Lola who does not know he has a child. First she finds her friend, Agrado, also a transvestite; through him she meets Rosa, a young nun bound for El Salvador, and by happenstance becomes the personal assistant of Huma Rojo, the actress her son admired. She helps Huma manage Nina, the co-star and Huma's lover, and she becomes Rosa's caretaker during a dicey pregnancy. With echoes of Lorca, All About Eve, and A Streetcar Named Desire, the mothers (and fathers and actors) live out grief, love, and friendship.After her son is killed in an acc! ident, Manuela (Cecilia Roth) leaves Madrid for her old haunts in Barcelona. She reconnects with an old friend, a pre-op transsexual prostitute named La Agrado (Antonia San Juan), who introduces her to Rosa (Penélope Cruz), a young nun who turns out to be pregnant. Meanwhile, Manuela becomes a personal assistant for Huma Rojo (Marisa Paredes), an actress currently playing Blanche DuBois in a production of A Streetcar Named Desire. All About My Mother traces the delicate web of friendship and loss that binds these women together. The movie is dedicated to the actresses of the world, so it's not surprising that all the performances are superb. Roth in particular anchors All About My Mother with compassion and generosity. But fans of writer-director Pedro Almodóvar needn't fret--as always, Almodóvar's work undermines conventional notions of sexual identity and embraces all human possibilities with bright colors and melodramatic plotting. However, A! ll About My Mother approaches its twists and turns with a ! broader emotional scope than most of Almodóvar's work; even the more extravagant aspects of the story are presented quietly, to allow the sadness of life to be as present as the irrepressible vitality of the characters. Almodóvar embraces pettiness, jealousy, and grief as much as kindness, courage, and outrageousness, and the movie is the richer for it. --Bret FetzerAfter her son is killed in an accident, Manuela (Cecilia Roth) leaves Madrid for her old haunts in Barcelona. She reconnects with an old friend, a pre-op transsexual prostitute named La Agrado (Antonia San Juan), who introduces her to Rosa (Penélope Cruz), a young nun who turns out to be pregnant. Meanwhile, Manuela becomes a personal assistant for Huma Rojo (Marisa Paredes), an actress currently playing Blanche DuBois in a production of A Streetcar Named Desire. All About My Mother traces the delicate web of friendship and loss that binds these women together. The movie is dedicated to the actres! ses of the world, so it's not surprising that all the performances are superb. Roth in particular anchors All About My Mother with compassion and generosity. But fans of writer-director Pedro Almodóvar needn't fret--as always, Almodóvar's work undermines conventional notions of sexual identity and embraces all human possibilities with bright colors and melodramatic plotting. However, All About My Mother approaches its twists and turns with a broader emotional scope than most of Almodóvar's work; even the more extravagant aspects of the story are presented quietly, to allow the sadness of life to be as present as the irrepressible vitality of the characters. Almodóvar embraces pettiness, jealousy, and grief as much as kindness, courage, and outrageousness, and the movie is the richer for it. --Bret Fetzer

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House of Sand and Fog

• ISBN13: 9780393338119
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

The National Book Award finalist, Oprah Book Club pick, #1 New York Times bestseller and basis for the Oscar-nominated motion picture.

A former colonel in the Iranian Air Force yearns to restore his family's dignity. A recovering alcoholic and addict down on her luck struggles to hold on to the one thing she has left. And her lover, a married cop, is driven to extremes to win her love.

In this masterpiece of American realism and Shakespearean consequence, Andre Dubus III's unforgettable charactersâ€"people with ordinary flaws, looking for a small piece of ground to stand onâ€"careen toward inevitable conflict, their tragedy painting a shockingly true pi! cture of the country we live in today.Oprah Book Club® Selection, November 2000: Andre Dubus III wastes no time in capturing the dark side of the immigrant experience in America at the end of the 20th century. House of Sand and Fog opens with a highway crew composed of several nationalities picking up litter on a hot California summer day. Massoud Amir Behrani, a former colonel in the Iranian military under the Shah, reflects on his job-search efforts since arriving in the U.S. four years before: "I have spent hundreds of dollars copying my credentials; I have worn my French suits and my Italian shoes to hand-deliver my qualifications; I have waited and then called back after the correct waiting time; but there is nothing." The father of two, Behrani has spent most of the money he brought with him from Iran on an apartment and furnishings that are too expensive, desperately trying to keep up appearances in order to enhance his daughter's chance! s of making a good marriage. Now the daughter is married, and ! on impu lse he sinks his remaining funds into a house he buys at auction, thus unwittingly putting himself and his family on a trajectory to disaster. The house, it seems, once belonged to Kathy Nicolo, a self-destructive alcoholic who wants it back. What starts out as a legal tussle soon escalates into a personal confrontation--with dire results.

Dubus tells his tragic tale from the viewpoints of the two main adversaries, Behrani and Kathy. To both of them, the house represents something more than just a place to live. For the colonel, it is a foot in the door of the American dream; for Kathy, a reminder of a kinder, gentler past. In prose that is simple yet evocative, House of Sand and Fog builds to its inevitable denouement, one that is painfully dark but unfailingly honest. --Alix Wilber

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Day The Earth Stood Still The (1951) - 11 x 17 - Style A

• Wonderful poster to add to any collection
• Arrives rolled in a protective mailer tube
• Brand new poster ready to frame

The Earth feels solid and still beneath your feet, but in fact it is moving very fast. Discover many of the properties of Earth and its place in the solar system.This Robert Wise classic set a new standard for sci-fi films, and its outlandish score by Bernard Herrmann did likewise for film music. It features not one but two Theremins, three organs, two pianos, two harps, three timpani, four tubas, strings, guitar....this is madness, brilliant madness, re-recorded at Abbey Road especially for this release!11" x 17" high quality reproduction poster by Pop Culture Graphics. Printed in the USA. Perfect for framing.

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Captain America: The First Avenger (Two-Disc Blu-ray/DVD Combo + Digital Copy)

• 1 Blueray Disk Only.
• In Jewel Case
• Preowned
• Great Condition

Captain America leads the fight for freedom in the action-packed blockbuster starring Chris Evans as the ultimate weapon against evil! When a terrifying force threatens everyone across the globe, the world’s greatest soldier wages war on the evil HYDRA organization, led by the villainous Red Skull (Hugo Weaving, The Matrix). Critics and audiences alike salute Captain America: The First Avenger as “pure excitement, pure action, and pure fun!” â€" Bryan Erdy CBS-TVThe Marvel Comics superhero Captain America was born of World War II, so if you're going to do the origin story in a movie you'd better set it in the 1940s. But how, then, to reconcile that hero with the 21st-century mega-blockbuster The Avengers, a 2012 summit meeting of the Marvel giants, where Captain America join! s Iron Man and the Incredible Hulk and other super pals? Stick around, and we'll get to that. In 1943, a sawed-off (but gung-ho) military reject named Steve Rogers is enlisted in a super-secret experiment masterminded by adorable scientist Stanley Tucci and skeptical military bigwig Tommy Lee Jones. Rogers emerges, taller and sporting greatly expanded pectoral muscles, along with a keen ability to bounce back from injury. In both sections Rogers is played by Chris Evans, whose sly humor makes him a good choice for the otherwise stalwart Cap. (Benjamin Button-esque effects create the shrinky Rogers, with Evans's head attached.) The film comes up with a viable explanation for the red-white-and-blue suit 'n' shield--Rogers is initially trotted out as a war bonds fundraiser, in costume--and a rousing first combat mission for our hero, who finally gets fed up with being a poster boy. Director Joe Johnston (The Wolfman) makes a lot of pretty pictures along the way, ! although the war action goes generic for a while and the clima! x feels a little rushed. Kudos to Hugo Weaving, who makes his Nazi villain a grand adversary (with, if the ear doesn't lie, an imitation of Werner Herzog's accent). If most of the movie is enjoyable, the final 15 minutes or so reveals a curious weakness in the overall design: because Captain America needs to pop up in The Avengers, the resolution of the 1943 story line must include a bridge to the 21st century, which makes for some tortured (and unsatisfying) plot developments. Nevertheless: that shield is really cool. --Robert Horton

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Footloose

• Footloose
• Dianne Wiest
• John Lithgow
• Kevin Bacon
• Lori Singer

Footloose jumps with spirit, dazzling dance numbers and an electrifying musical score. It portrays the timeless struggle between innocent pleasure and rigid morality, when city-boy Ren McCormick (Kevin Bacon) finds himself in an uptight Midwestern town where dancing has been banned. Ren revolts with best friend Willard (Chris Penn) and the minister's daughter (Lori Singer). A treasury of Top 10 songs-Kenny Loggins "Footloose," Shalamar "Dancing In The Sheets," Deniece Williams "Let's Hear It For The Boy," Bonnie Tyler "Holding Out for A Hero," and the Footloose love theme, "Almost Paradise."Footloose jumps with spirit, dazzling dance numbers and an electrifying musical score. It portrays the timeless struggle between innocent pleasure and rigid morality, when city-boy Ren McCormick (K! evin Bacon) finds himself in an uptight Midwestern town where dancing has been banned. Ren revolts with best friend Willard (Chris Penn) and the minister's daughter (Lori Singer). A treasury of Top 10 songs-Kenny Loggins "Footloose," Shalamar "Dancing In The Sheets," Deniece Williams "Let's Hear It For The Boy," Bonnie Tyler "Holding Out for A Hero," and the Footloose love theme, "Almost Paradise."Director Herbert Ross (The Turning Point) pulled a winning movie out of this almost self-consciously archetypal tale of teenage rock rebellion. Kevin Bacon stars as a hip city kid who ends up in a Bible-belt town after his parents divorce. An ill fit for a conservative community where rock is frowned upon and dancing is forbidden, Bacon's character rallies the kids and takes on the establishment. Between a good cast really embracing the drama of Dean Pitchford's screenplay, and Ross's imaginative, highly charged way of shooting the dance numbers, you can get lost in this al! l-ages confection, and you won't even mind Kenny Loggins's bub! bly pop. Bonuses include one of John Lithgow's best performances (a bit reminiscent of Jimmy Stewart), and Christopher Penn (who sure doesn't look the same anymore) as a good-natured hick who learns to boogie. --Tom Keogh FOOTLOOSE: Footloose jumps with spirit, dazzling dance numbers and an electrifying musical score. It portrays the timeless struggle between innocent pleasure and rigid morality, when city-boy Ren McCormick (Kevin Bacon) finds himself in an uptight Midwestern town where dancing has been banned. Ren revolts with best friend Willard (Chris Penn) and the minister's daughter (Lori Singer). A treasury of Top 10 songs-Kenny Loggins "Footloose," Shalamar "Dancing In The Sheets," Deniece Williams "Let's Hear It For The Boy," Bonnie Tyler "Holding Out for A Hero," and the Footloose love theme, "Almost Paradise." FLASHDANCE: A hit movie that became a cultural sensation, Flashdance delivers an electrifying mix of music, drama and dance that dazzles the senses as it to! uches the heart. Jennifer Beals stars as Alex Owens, a fiercely determined 18-year-old with one all-consuming dream: to study at the Pittsburgh Conservatory of Dance. Working during the day as a welder and at night as an exotic dancer. Alex bravely pursues her dream, undertaking an unforgettable journey that reveals the power of her convictions and teaches her the meaning of love. Directed by Adrian Lyne (Fatal Attraction, 9 ½ Weeks) and featuring the Oscar â€"winning song "Flashdanceâ€"What a Feeling," Flashdance is sparkling entertainment.Studio: Paramount Home Video Release Date: 09/27/2011 Run time: 107 minutes Rating: PgFootloose jumps with spirit, dazzling dance numbers and an electrifying musical score. It portrays the timeless struggle between innocent pleasure and rigid morality, when city-boy Ren McCormick (Kevin Bacon) finds himself in an uptight Midwestern town where dancing has been banned. Ren revolts with best friend Willard (Chris Penn) and the ! minister's daughter (Lori Singer). A treasury of Top 10 songs-! Kenny Lo ggins "Footloose," Shalamar "Dancing In The Sheets," Deniece Williams "Let's Hear It For The Boy," Bonnie Tyler "Holding Out for A Hero," and the Footloose love theme, "Almost Paradise."Director Herbert Ross (The Turning Point) pulled a winning movie out of this almost self-consciously archetypal tale of teenage rock rebellion. Kevin Bacon stars as a hip city kid who ends up in a Bible-belt town after his parents divorce. An ill fit for a conservative community where rock is frowned upon and dancing is forbidden, Bacon's character rallies the kids and takes on the establishment. Between a good cast really embracing the drama of Dean Pitchford's screenplay, and Ross's imaginative, highly charged way of shooting the dance numbers, you can get lost in this all-ages confection, and you won't even mind Kenny Loggins's bubbly pop. Bonuses include one of John Lithgow's best performances (a bit reminiscent of Jimmy Stewart), and Christopher Penn (who sure doesn't look the sam! e anymore) as a good-natured hick who learns to boogie. --Tom Keogh Japanese only paper sleeve pressing includes four bonus tracks. Sony. 2009.There's a popular movie trivia game called Six Degrees of Kevin Bacon whose rough hypothesis is that the actor is somehow the center of the cinematic universe. One doesn't get very far into the game without encountering Footloose. The film that seems destined to become an 80's camp classic (repressed Midwestern youth bravely fighting for their right to dance) was also a notable trailblazer in the pop song soundtrack marketing scam, i.e. line up a bunch of contemporary hit makers and have them cut a batch of songs that might not be germaine to the film's plot but will sell oodles of units. But damned if Footloose isn't a classic slice--for better or worse--of mid-'80s, album-oriented rock. This kind of instant era-compilation must make the folks at K-Tel very nervous. --Jerry McCulley Footloose ! jumps with spirit, dazzling dance numbers and an electrif! ying mu sical score. It portrays the timeless struggle between innocent pleasure and rigid morality, when city-boy Ren McCormick (Kevin Bacon) finds himself in an uptight Midwestern town where dancing has been banned. Ren revolts with best friend Willard (Chris Penn) and the minister's daughter (Lori Singer).

A treasury of Top 10 songs: Kenny Loggins' "Footloose," Shalamar's "Dancing In The Sheets," Deniece Williams's "Let's Hear It For The Boy," Bonnie Tyler's "Holding Out for A Hero," and the Footloose love theme, "Almost Paradise."Footloose jumps with spirit, dazzling dance numbers and an electrifying musical score. It portrays the timeless struggle between innocent pleasure and rigid morality, when city-boy Ren McCormick (Kevin Bacon) finds himself in an uptight Midwestern town where dancing has been banned. Ren revolts with best friend Willard (Chris Penn) and the minister's daughter (Lori Singer). A treasury of Top 10 songs-Kenny Loggins "Footloose,! " Shalamar "Dancing In The Sheets," Deniece Williams "Let's Hear It For The Boy," Bonnie Tyler "Holding Out for A Hero," and the Footloose love theme, "Almost Paradise."Director Herbert Ross (The Turning Point) pulled a winning movie out of this almost self-consciously archetypal tale of teenage rock rebellion. Kevin Bacon stars as a hip city kid who ends up in a Bible-belt town after his parents divorce. An ill fit for a conservative community where rock is frowned upon and dancing is forbidden, Bacon's character rallies the kids and takes on the establishment. Between a good cast really embracing the drama of Dean Pitchford's screenplay, and Ross's imaginative, highly charged way of shooting the dance numbers, you can get lost in this all-ages confection, and you won't even mind Kenny Loggins's bubbly pop. Bonuses include one of John Lithgow's best performances (a bit reminiscent of Jimmy Stewart), and Christopher Penn (who sure doesn't look the same anymore) as a ! good-natured hick who learns to boogie. --Tom Keogh Genr e: Feature Film-Drama
Rating: PG
Release Date: 5-AUG-2008
Media Type: DVDFootloose jumps with spirit, dazzling dance numbers and an electrifying musical score. It portrays the timeless struggle between innocent pleasure and rigid morality, when city-boy Ren McCormick (Kevin Bacon) finds himself in an uptight Midwestern town where dancing has been banned. Ren revolts with best friend Willard (Chris Penn) and the minister's daughter (Lori Singer). A treasury of Top 10 songs-Kenny Loggins "Footloose," Shalamar "Dancing In The Sheets," Deniece Williams "Let's Hear It For The Boy," Bonnie Tyler "Holding Out for A Hero," and the Footloose love theme, "Almost Paradise."Director Herbert Ross (The Turning Point) pulled a winning movie out of this almost self-consciously archetypal tale of teenage rock rebellion. Kevin Bacon stars as a hip city kid who ends up in a Bible-belt town after his parents divorce. An ill fit for a conservativ! e community where rock is frowned upon and dancing is forbidden, Bacon's character rallies the kids and takes on the establishment. Between a good cast really embracing the drama of Dean Pitchford's screenplay, and Ross's imaginative, highly charged way of shooting the dance numbers, you can get lost in this all-ages confection, and you won't even mind Kenny Loggins's bubbly pop. Bonuses include one of John Lithgow's best performances (a bit reminiscent of Jimmy Stewart), and Christopher Penn (who sure doesn't look the same anymore) as a good-natured hick who learns to boogie. --Tom Keogh Director Herbert Ross ("The Turning Point") pulled a winning movie out of this almost self-consciously archetypal tale of teenage rock rebellion. Kevin Bacon stars as a hip city kid who ends up in a Bible-belt town after his parents divorce. An ill fit for a conservative community where rock is frowned upon and dancing is forbidden, Bacon's character rallies the kids and takes on th! e establishment. Between a good cast really embracing the dram! a of Dea n Pitchford's screenplay, and Ross's imaginative, highly charged way of shooting the dance numbers, you can get lost in this all-ages confection, and you won't even mind Kenny Loggins's bubbly pop. Bonuses include one of John Lithgow's best performances (a bit reminiscent of Jimmy Stewart), and Christopher Penn (who sure doesn't look the same anymore) as a good-natured hick who learns to boogie. "--Tom Keogh"Footloose jumps with spirit, dazzling dance numbers and an electrifying musical score. It portrays the timeless struggle between innocent pleasure and rigid morality, when city-boy Ren McCormick (Kevin Bacon) finds himself in an uptight Midwestern town where dancing has been banned. Ren revolts with best friend Willard (Chris Penn) and the minister's daughter (Lori Singer). A treasury of Top 10 songs-Kenny Loggins "Footloose," Shalamar "Dancing In The Sheets," Deniece Williams "Let's Hear It For The Boy," Bonnie Tyler "Holding Out for A Hero," and the Footloose ! love theme, "Almost Paradise."Director Herbert Ross (The Turning Point) pulled a winning movie out of this almost self-consciously archetypal tale of teenage rock rebellion. Kevin Bacon stars as a hip city kid who ends up in a Bible-belt town after his parents divorce. An ill fit for a conservative community where rock is frowned upon and dancing is forbidden, Bacon's character rallies the kids and takes on the establishment. Between a good cast really embracing the drama of Dean Pitchford's screenplay, and Ross's imaginative, highly charged way of shooting the dance numbers, you can get lost in this all-ages confection, and you won't even mind Kenny Loggins's bubbly pop. Bonuses include one of John Lithgow's best performances (a bit reminiscent of Jimmy Stewart), and Christopher Penn (who sure doesn't look the same anymore) as a good-natured hick who learns to boogie. --Tom Keogh Footloose [VHS] [VHS Tape] (1984) Kevin Bacon; Lori Singer; John LithgowFoot! loose jumps with spirit, dazzling dance numbers and an el! ectrifyi ng musical score. It portrays the timeless struggle between innocent pleasure and rigid morality, when city-boy Ren McCormick (Kevin Bacon) finds himself in an uptight Midwestern town where dancing has been banned. Ren revolts with best friend Willard (Chris Penn) and the minister's daughter (Lori Singer). A treasury of Top 10 songs-Kenny Loggins "Footloose," Shalamar "Dancing In The Sheets," Deniece Williams "Let's Hear It For The Boy," Bonnie Tyler "Holding Out for A Hero," and the Footloose love theme, "Almost Paradise."Director Herbert Ross (The Turning Point) pulled a winning movie out of this almost self-consciously archetypal tale of teenage rock rebellion. Kevin Bacon stars as a hip city kid who ends up in a Bible-belt town after his parents divorce. An ill fit for a conservative community where rock is frowned upon and dancing is forbidden, Bacon's character rallies the kids and takes on the establishment. Between a good cast really embracing the drama of Dea! n Pitchford's screenplay, and Ross's imaginative, highly charged way of shooting the dance numbers, you can get lost in this all-ages confection, and you won't even mind Kenny Loggins's bubbly pop. Bonuses include one of John Lithgow's best performances (a bit reminiscent of Jimmy Stewart), and Christopher Penn (who sure doesn't look the same anymore) as a good-natured hick who learns to boogie. --Tom Keogh Footloose jumps with spirit, dazzling dance numbers and an electrifying musical score (five SIZZLING hit songs!) in the tradition of FLASHDANCE. It portrays the timeless struggle between innocent pleasure and rigid morality, when city-boy Ren McCormick (Kevin Bacon) finds himself in an uptight Midwestern town where dancing--and therefore all youthful joy--has been banned. Ren revolts with best friend Willard (Chris Penn) and the minister's daughter (Lori Singer). A treasury of Top 10 Songs--Kenny Loggins "Footloose," Shalamar "Dancing in the Sheets," Deniece Willi! ams "Let's Hear It For The Boy," Bonnie Tyler "Holding Out For! a Hero, " and the FOOTLOOSE love theme, "Almost Paradise."

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Gerber 30-000165 Descent Knife, Fine Edge

• Lightweight, handle material stainless steel and anodized aluminum
• Open frame design
• Low rise pocket clip
• Carabineer clip to hook onto belt loops, back packs and nylon cords
• Open length 6.35-Inch, blade length 2.60-Inch, closed length 4.00-Inch and weight 2.7 ounces

For Each, There Could Be Only One: They came from the darkest places: secluded monasteries, the Carpathian mountains, galaxies under siege. They were men with the blackest pasts-warriors, vampire monks, leaders of armies-but whose passions burned like dying stars. They had one purpose: to find those women who fulfilled them, completed them, and made them rage with a fire both holy and profane. They sought soul mates whose touch consumed them with desire, yet whose kisses refreshed like the coolest rain. And each man knew that for him there was only one true love-and in finding her, he would find ! salvation.

For Each, There Could Be Only One: They came from the darkest places: secluded monasteries, the Carpathian mountains, galaxies under siege. They were men with the blackest pasts-warriors, vampire monks, leaders of armies-but whose passions burned like dying stars. They had one purpose: to find those women who fulfilled them, completed them, and made them rage with a fire both holy and profane. They sought soul mates whose touch consumed them with desire, yet whose kisses refreshed like the coolest rain. And each man knew that for him there was only one true love-and in finding her, he would find salvation.

Devon Crawford is an officer; Air Force Pararescueman Cam Munro is enlisted. Dev flies medical evacuations; Cam jumps into danger zones to save lives. Dev wants to return home from Afghanistan with her heart untouched; Cam will do anything to win the woman he loves.

Reaching for happiness in a war zone is the last thing Captain Devon Crawfor! d plans, but she can't ignore the feelings she's hidden for so! long. C am's sexy charm and wicked kisses weaken her resistance, but she's too afraid of losing him to give in.

When Dev's helicopter and crew are shot down and set up as bait by a notorious warlord, Cam risks all to save the team. What he doesn't know is that the trap is set for him*#133;.

83,000 words

Devon Crawford is an officer; Air Force Pararescueman Cam Munro is enlisted. Dev flies medical evacuations; Cam jumps into danger zones to save lives. Dev wants to return home from Afghanistan with her heart untouched; Cam will do anything to win the woman he loves.

Reaching for happiness in a war zone is the last thing Captain Devon Crawford plans, but she can't ignore the feelings she's hidden for so long. Cam's sexy charm and wicked kisses weaken her resistance, but she's too afraid of losing him to give in.

When Dev's helicopter and crew are shot down and set up as bait by a notorious warlord, Cam risks all to save the team. What he ! doesn't know is that the trap is set for him*#133;.

83,000 words

After September 11th , Ahmed Rashid's crucial book Taliban introduced American readers to that now notorious regime. In this new work, he returns to Pakistan, Afghanistan, and Central Asia to review the catastrophic aftermath of America's failed war on terror. Called "Pakistan's best and bravest reporter" by Christopher Hitchens, Rashid has shown himself to be a voice of reason amid the chaos of present-day Central Asia. Descent Into Chaos is his blistering critique of American policy-a dire warning and an impassioned call to correct these disasterous strategies before these failing states threaten global stability and bring devastation to our world.A small knife with big features, this lightweight, stainlesssteel and aluminum gem is built on an open frame making iteasy to clean, dry and lubricate. The low rise pocket clipensures the Descent rides your pocket comfortably. The ! handycarabiner slides back to clip on belt loops, back packs a! ndNylon cords.Trim, ultra-compact, and ready for anything, the Gerber (30-000165) Descent Knife is crafted from a combination of stainless steel and aluminum to maximize strength while minimizing weight, and its open frame makes for easy maintenance. Also offering both a low-rise pocket clip and a built-in carabiner clip, the Descent's built to fit seamlessly into your travel plans.

(30-000165) Descent Knife, Fine Edge At a Glance: Fine edge cuts ro! pe and other tough materials quickly Open-frame design makes cleaning, drying, and lubricating the mechanism easy Lightweight stainless steel and aluminum construction Integrated carabiner attaches to packs or belts Low-rise clip allows knife to sit securely and unobtrusively in pockets

Thi s Gerber knife is crafted with an open frame, stainless steel, and anodized aluminum.

Dependable Blade for Quick, Accurate Cuts
Featuring a strong fine blade with a distinctive shape, the Gerber Descent Knife's fine configuration makes fast and easy cuts. The blade measures 2.60 inches long, and is crafted from durable stainless steel for improved edge retention and a longer tool life.

Smart, Light Open-Frame Design
An open frame crafted from a mix of stainless steel and strong, but light, anodized aluminum gives the Descent its unique look, but this design isn't just about aesthetics. It also makes the knife's mechanism easy to clean, dry, and lubricate--an important feature for anyone that recognizes that taking good care of tools is that best way to make them last a long time.

The Descent knife measures a length of just 4 inches when folded in the closed position, and--due to its uni! que design--it weighs an impressively light 2.7-ounces. This makes it perfect for fast packers, around the world travelers, and anyone who carries a knife every day, but doesn't want to be reminded of the fact.

Comfortable Handle with Convenient Carry Clips
As easy to handle as it is stylish, the Descent is well balanced for improved control. It measures a total length of 6.35 inches when locked open, and the handle is curved to fit comfortably in your hand.

In addition, its handle features an integrated carabiner clip that makes it simple to quickly and securely attach your knife to a belt loop or the outside of your pack. When you want to carry the knife in your pocket, a low-rise clip ensures it rides both securely and unobtrusively.

What's in the Box
Gerber (30-000179) Descent Knife, Serrated Edge

Make fast cuts of rope and other tough materials with this knife's fine edge.

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