Monday, November 14, 2011

Virtua Fighter 5

  • Two New Characters, El Blaze and Eileen, round out the cast of 17 dynamic fighters. El Blaze is a Mexican wrestling champion that uses the Lucha Libre fighting style, and Eileen, originally from China, uses Kou Ken (Monkey Kung Fu style) which she learned
  • Stunning highly-detailed 3D fi ghting environments inspired by locations around the world allow players to challenge their opponents in unique types of arenas.
  • New offensive move lets players move around their opponent from the side and back allowing players to be more strategic with their battle.
  • Customize characters with the enhanced attachment system and customization engine giving players more fl exibility than ever before when creating their characters.
  • Next-Gen presentation includes HD resolution (widescreen) and Dolby® Digital 5.1CH sound.
Small-town boy Shawn MacArthur (Channing Tatum, G.I. Joe: The R! ise of Cobra, Public Enemies) knows firsthand that every day in New York City is a struggle to survive. So when scam artist Harvey Boarden (Terrence Howard, Iron Man, Hustle and Flow) gives him a chance to be something more in the brutal underground world of bare-knuckle street-fighting, Shawn decides that he has something worth fighting for and puts everything on the line to win. Every knockout brings him closer to the life he’s always wanted, but also traps him in a dangerous web he can’t escape.The last thing you might expect from a movie called Fighting is excellent acting, but that’s what you’ll get. A scam artist named Harvey (Terrence Howard) sees a young would-be hustler named Shawn (Channing Tatum, Step Up, Stop-Loss) in a street scuffle and lures him into a no-rules fighting circuit. Shawn’s relentless drive to win leads him to unexpected success, but when he gets put into a big fight with a professional boxer, Harvey asks Shawn to take a dive. The plot ! sounds like a thousand boxing movies, but the difference is al! l in the texture. Fighting takes place in a very real New York City, with cramped, make-shift apartments, cluttered streets, and seedy nightclubs. Scenes get knocked sideways by odd bits of life and character quirks that feel organic, not shoehorned in by some clever screenwriter. There’s a marvelous scene where Shawn is trying to woo the Puerto Rican waitress he’s smitten with (Zulay Henao, Feel the Noise), but they keep getting interrupted by her suspicious mother--which sounds like a rom-com cliche, but is completely transformed by the wonderfully human interplay among the actors. Howard has always had a magnetic talent, but Tatum reveals an engaging vulnerability that contrasts nicely with his big-slab-of-beefcake look. The movie hearkens back to 1970s classics like Midnight Cowboy and Dog Day Afternoon, and though it doesn’t achieve the same emotional heights, it’s reaching in the right direction. Writer/director Dito Montiel (whose previous film, A Guide to Recognizing! Your Saints, also featured Tatum) promises to make some truly memorable movies. --Bret Fetzer

Stills from Fighting (Click for larger image)
Small-town boy Shawn MacArthur (Channing Tatum, G.I. Joe: The Rise of Cobra, Public Enemies) knows firsthand that every day in New York City is a struggle to survive. So when scam artist Harvey Boarden (Terrence Howard, Iron Man, Hustle and Flow) gives him a chance to be something more in the brutal underground world of bare-knuckle street-fighting, Shawn decides that he has something worth fighting for! and puts everything on the line to win. Every knockout brings! him clo ser to the life he’s always wanted, but also traps him in a dangerous web he can’t escape.The last thing you might expect from a movie called Fighting is excellent acting, but that’s what you’ll get. A scam artist named Harvey (Terrence Howard) sees a young would-be hustler named Shawn (Channing Tatum, Step Up, Stop-Loss) in a street scuffle and lures him into a no-rules fighting circuit. Shawn’s relentless drive to win leads him to unexpected success, but when he gets put into a big fight with a professional boxer, Harvey asks Shawn to take a dive. The plot sounds like a thousand boxing movies, but the difference is all in the texture. Fighting takes place in a very real New York City, with cramped, make-shift apartments, cluttered streets, and seedy nightclubs. Scenes get knocked sideways by odd bits of life and character quirks that feel organic, not shoehorned in by some clever screenwriter. There’s a marvelous scene where Shawn is trying to woo the Puerto Ri! can waitress he’s smitten with (Zulay Henao, Feel the Noise), but they keep getting interrupted by her suspicious mother--which sounds like a rom-com cliche, but is completely transformed by the wonderfully human interplay among the actors. Howard has always had a magnetic talent, but Tatum reveals an engaging vulnerability that contrasts nicely with his big-slab-of-beefcake look. The movie hearkens back to 1970s classics like Midnight Cowboy and Dog Day Afternoon, and though it doesn’t achieve the same emotional heights, it’s reaching in the right direction. Writer/director Dito Montiel (whose previous film, A Guide to Recognizing Your Saints, also featured Tatum) promises to make some truly memorable movies. --Bret Fetzer

Stills from Fighting (Click for larger image)
Virtua Fighter returns with the next release in the series. Virtua Fighter 5 includes new features like enhanced gameplay mechanics, added characters, new fighting styles, and redesigned environments.

Happiness Runs Early Elementary/Level 1 Piano Duet

  • Published by Faber Piano Adventures 6 Pages
  • Piano Level Early Elementary/Level 1
  • Arranger: Nancy Faber
A coming-of-age tale, that finds a young man, Victor (Mark L. Young), growing up on a Utopian commune faced with the challenge to either submit to his community's ideals or to escape. Victor's mother (Andie MacDowell) funds the collective where guru Insley (Rutger Hauer) lectures a lifestyle of free love and out-of-body meditations. Spurred by the sudden reappearance of his childhood love Becky (Hanna Hall), Victor creates a desperate plot to save them both and escape the polygamous cult. One part WOODSTOCK, one part LORD OF THE FLIES, director Adam Sherman's semi-autobiographical film, HAPPINESS RUNS, is a cautionary tale about freeing yourself of social constrictions.
It’s 2008. Jim Axelrodâ€"once among the most watched correspondents on network news and the! first television reporter to broadcast from Saddam International Airport in 2003â€"is covering the final stages of the race for the Democratic presidential nomination. He’s forty-five years old and thirty pounds overweight. He’s drinking too much, sleeping too little, and scarcely seeing his family. He’s just figured out that the industry that pulled him up the corporate ladder is imploding as he’s reaching for its final rungs. Then, out of the blue, Jim discovers his late father’s decades-old New York Marathon finish times. At forty-six, Bob Axelrod ran a 3:29:58. With everything else going on in his life, Jim sets himself a defining challenge: “Can I beat him?”
 
So begins a deeply felt, often hilarious, quixotic effort to run the 2009 New York Marathon. Along the way, Jim confronts his listing marriage, a career upset by the seismic changes going on throughout the television news industry, excruciatingly painful shin splints, and the w! orst-timed kidney stone possible. Looming over it all is the s! hadow of a loving father, who repeatedly lost his way in life but still has a lesson to impart.
 
This is a book about a dead father’s challenge to a son at a crossroads, but, more than that, it is about the personal costs paid when ambition and talent are not enough to ensure success. Most fundamentally, though, it is a book about learning what it takes to be happy in your own skin.
It’s 2008. Jim Axelrodâ€"once among the most watched correspondents on network news and the first television reporter to broadcast from Saddam International Airport in 2003â€"is covering the final stages of the race for the Democratic presidential nomination. He’s forty-five years old and thirty pounds overweight. He’s drinking too much, sleeping too little, and scarcely seeing his family. He’s just figured out that the industry that pulled him up the corporate ladder is imploding as he’s reaching for its final rungs. Then, out of the blue! , Jim discovers his late father’s decades-old New York Marathon finish times. At forty-six, Bob Axelrod ran a 3:29:58. With everything else going on in his life, Jim sets himself a defining challenge: “Can I beat him?”
 
So begins a deeply felt, often hilarious, quixotic effort to run the 2009 New York Marathon. Along the way, Jim confronts his listing marriage, a career upset by the seismic changes going on throughout the television news industry, excruciatingly painful shin splints, and the worst-timed kidney stone possible. Looming over it all is the shadow of a loving father, who repeatedly lost his way in life but still has a lesson to impart.
 
This is a book about a dead father’s challenge to a son at a crossroads, but, more than that, it is about the personal costs paid when ambition and talent are not enough to ensure success. Most fundamentally, though, it is a book about learning what it takes to be happy in your ! own skin.
It’s 2008. Jim Axe! lrodâ€"o nce among the most watched correspondents on network news and the first television reporter to broadcast from Saddam International Airport in 2003â€"is covering the final stages of the race for the Democratic presidential nomination. He’s forty-five years old and thirty pounds overweight. He’s drinking too much, sleeping too little, and scarcely seeing his family. He’s just figured out that the industry that pulled him up the corporate ladder is imploding as he’s reaching for its final rungs. Then, out of the blue, Jim discovers his late father’s decades-old New York Marathon finish times. At forty-six, Bob Axelrod ran a 3:29:58. With everything else going on in his life, Jim sets himself a defining challenge: “Can I beat him?”
 
So begins a deeply felt, often hilarious, quixotic effort to run the 2009 New York Marathon. Along the way, Jim confronts his listing marriage, a career upset by the seismic changes going on throughout the televisi! on news industry, excruciatingly painful shin splints, and the worst-timed kidney stone possible. Looming over it all is the shadow of a loving father, who repeatedly lost his way in life but still has a lesson to impart.
 
This is a book about a dead father’s challenge to a son at a crossroads, but, more than that, it is about the personal costs paid when ambition and talent are not enough to ensure success. Most fundamentally, though, it is a book about learning what it takes to be happy in your own skin.


Reproduction poster of Happiness Runs printed on heavy card stock.
Students may just start singing this engaging melody and cheerful lyric. Legato and staccato touches are explored as both parts share melody and harmony.

Songs: Happiness Runs

Bonnie and Clyde (Two-Disc Special Edition)

  • Condition: New
  • Format: DVD
  • Closed-captioned; Color; DVD; Full Screen; Original recording remastered; Restored; Special Edition;
Depression-era drifters Clyde Barrow (Warren Beatty) and Bonnie Parker (Faye Dunaway) embark on a life of crime. They crave adventure â€" and each other. Nothing in film history has prepared us for the cascading violence to follow. We learn they can be hurt â€" and dread they can be killed. The vivid title-role performances get superb support from Michael J. Pollard, Gene Hackman and Estelle Parsons, 1967 Best Supporting Actress Academy AwardÃ' winner. Director Arthur Penn keeps the film’s tone tough but never cruel. It continually dazzles, especially in the work of cinematographer Burnett Guffey (winner of the film’s second OscarÃ') and editor Dede Allen. Generations later, it’s still a thunderous, thrilling ride. DISC 1: MOVIE Digitally Remast! ered for High-Impact Home Viewing Brilliance from Restored Original Film and Audio Elements • Theatrical Trailers Subtitles: English, Français & Korean (Main Feature. Bonus Material/Trailer May Not Be Subtitled.). DISC 2: SPECIAL FEATURES Additional Scenes • New 40th-Anniversary Commemorative Documentary in 3 Parts: Revolution! The Making of Bonnie and Clyde • The History ChannelÃ' Documentary Love and Death: The Story of Bonnie and Clyde • Warren Beatty Wardrobe Tests.One of the landmark films of the 1960s, Bonnie and Clyde changed the course of American cinema. Setting a milestone for screen violence that paved the way for Sam Peckinpah's The Wild Bunch, this exercise in mythologized biography should not be labeled as a bloodbath; as critic Pauline Kael wrote in her rave review, "it's the absence of sadism that throws the audience off balance." The film is more of a poetic ode to the Great Depression, starring the dream team of Warren Beatty and Fay! e Dunaway as the titular antiheroes, who barrel across the Sou! th and M idwest robbing banks with Clyde's brother Buck (Gene Hackman), Buck's frantic wife Blanche (Estelle Parsons), and their faithful accomplice C.W. Moss (the inimitable Michael J. Pollard). Bonnie and Clyde is an unforgettable classic that has lost none of its power since the 1967 release. --Jeff ShannonOne of the landmark films of the 1960s, Bonnie and Clyde changed the course of American cinema. Setting a milestone for screen violence that paved the way for Sam Peckinpah's The Wild Bunch, this exercise in mythologized biography should not be labeled as a bloodbath; as critic Pauline Kael wrote in her rave review, "it's the absence of sadism that throws the audience off balance." The film is more of a poetic ode to the Great Depression, starring the dream team of Warren Beatty and Faye Dunaway as the titular antiheroes, who barrel across the South and Midwest robbing banks with Clyde's brother Buck (Gene Hackman), Buck's frantic wife Blanche (Estell! e Parsons), and their faithful accomplice C.W. Moss (the inimitable Michael J. Pollard). Bonnie and Clyde is an unforgettable classic that has lost none of its power since the 1967 release. --Jeff Shannon

Pink Platinum Girls 2-6x Plaid Printed Snowsuit, Purple, 6X

  • Snow bib with jacket
  • Headwarmer

Blow

  • There?s no money in a ?real job.? So George Jung deals pot. Lots of it. The blue-collar kid dubbed Boston George spirals up from there, into the riches and excesses of the huge cocaine cartels. And crashes hard. Johnny Depp portrays George, the ambitious outlaw who, perhaps more than any American, transformed powder cocaine from relative obscurity in the U.S. into a 1970s/80s feeding frenzy. Penel
Based on a true story, Blow gives us a fast-paced look at the quick rise and fall of George Jung (Johnny Depp) who became a premier importer of Colombian cocaine, in the turbulent 1970's, forever changing the face of drugs in America.

DVD Features:
Audio Commentary
DVD ROM Features
DVD ROM exclusive web site
Documentary
Filmographies
Music Video
Outtakes
Production Notes
Theatrical Trailer

A bri! skly paced hybrid of Boogie Nights and Goodfellas, Blow chronicles the three-decade rise and fall of George Jung (Johnny Depp), a normal American kid who makes a personal vow against poverty, builds a marijuana empire in the '60s, multiplies his fortune with the Colombian Medellín cocaine cartel, and blows it all with a series of police busts culminating in one final, long-term jail sentence. "Your dad's a loser," says this absentee father to his estranged but beloved daughter, and he's right: Blow is the story of a nice guy who made wrong choices all his life, almost single-handedly created the American cocaine trade, and got exactly what he deserved. As directed by Ted Demme, the film is vibrantly entertaining, painstakingly authentic... and utterly aimless in terms of overall purpose.

We can't sympathize with Jung's meteoric rise to wealth and the wild life, and Demme isn't suggesting that we should idolize a drug dealer. So what, exactl! y, is the point of Blow? Simply, it seems, to present J! ung's st ory as the epitome of the coke-driven glory days, and to suggest, ever so subtly, that Jung isn't such a bad guy, after all. Anyone curious about his lifestyle will find this film amazing, and there's plenty of humor mixed with the constant threat of violence and paranoid anxiety. Demme has also populated the film with a fantastic supporting cast (although Penélope Cruz grows tiresome as Jung's hedonistic wife), and this is certainly a compelling look at the other side of Traffic. Still, one wishes that Blow had a more viable reason for being; like a wild party, it leaves you with a hangover and a vague feeling of regret. --Jeff Shannon

Heckler

  • Heckler, a comedy-documentary that explores the increasingly critical world we live in, follows Jamie Kennedy as he investigates hecklers and the entertainers who endure them: Russell Peters, Lewis Black, Craig Ferguson, Bill Maher, Paul Rodriguez, Roseanne Barr, and more. A fast-moving, "hilarious claws-out look at the often brutal relationship between performers and their most vocal critics" (VA
Heckler, a comedy-documentary that explores the increasingly critical world we live in, follows Jamie Kennedy as he investigates hecklers and the entertainers who endure them: Russell Peters, Lewis Black, Craig Ferguson, Bill Maher, Paul Rodriguez, Roseanne Barr, and more. A fast-moving, "hilarious...claws-out look at the often brutal relationship between performers and their most vocal critics" (VARIETY), Heckler shows just how nasty and mean the fight is between ! those in the spotlight...and those in the dark.

Fear Dot Com : Widescreen Edition

  • Widescreen
Four people all died 48 hours after logging on to a website named feardotcom.com. Tough detective Mike Reilly (Stephen Dorff) collaborates with Department of Health associate Terry Huston (Natasha McElhone) to research these mysterious deaths. The only way to find out though what really happened is to enter the site itself. Fear Dot Com is a total-dot-mess, but it's a stylishly graphic frightfest that horror buffs will probably appreciate. As he did with his 1999 remake of House on Haunted Hill, director William Malone favors trippy atmosphere at the expense of acting, character development, and plot. Belatedly jumping on the Internet-thriller bandwagon, the film follows a brooding detective (Stephen Dorff) and a public health inspector (Natascha McElhone) as they investigate the deadly influence of the titular Web site, which channels the innermost fears of its visit! ors until they die of fright 48 hours later. Why 48 hours? Don't ask; Josephine Coyle's screenplay is as incoherent as Malone's grasp of narrative momentum, leaving Dorff and McElhone with little to do but look frightened and doomed. But Fear Dot Com has its moments, especially after mad doctor Stephen Rea's gruesome villainy is fully revealed, and the proceedings take on the monochrome pallor of silent German expressionism. Too bad these fantastic visuals weren't servicing a better movie. --Jeff ShannonA horror film whose topicality is tied to the dot-com boom is asking for trouble, and sure enough William Malone's follow-on to House on Haunted Hill turned out to be something of a murky bust. But composer Nicholas Pike's smartly understated score certainly deserves a better hearing. Working from inspirations as diverse as brooding Russian classical motifs, the baroque, and 20th-century modernism, Pike serves up a subtle cocktail of creepiness. On the c! ues "Alistair Gets Cozy/Cozier," he playfully turns the horror! -film cl ichés of creaking hinges, leaden footsteps, and squeaking doors into wry mini-concertos of dread. There are a few obligatory crashing crescendos, wailing choirs, and action cues in the composer's largely seamless melding of the orchestral and electronic, but overall it's a soundtrack that wisely relies more on spacious dynamics than on cheap jolts to paint its evocative soundscape of dread. --Jerry McCulley DVD

Creation [Blu-Ray]

  • UK Import
  • Region-Free
  • Blu-ray
From director Jon Amiel ("The Singing Detective," ENTRAPMENT) and writer John Collee (MASTER AND COMMANDER: THE FAR SIDE OF THE WORLD) comes CREATION. A psychological, heart-wrenching love story starring Paul Bettany (A BEAUTIFUL MIND, MASTER AND COMMANDER: THE FAR SIDE OF THE WORLD) as Charles Darwin, the film is based on “Annie’s Box,” a biography penned by Darwin’s great-great-grandson Randal Keynes using personal letters and diaries of the Darwin family. We take a unique and inside look at Darwin, his family and his love for his deeply religious wife, played by Jennifer Connelly (A BEAUTIFUL MIND, REQUIEM FOR A DREAM), as, torn between faith and science, Darwin struggles to finish his legendary book “On the Origin of Species,” which goes on to become the foundation for evolutionary biology. The film co-stars Toby Jones (FROST/NIX! ON, INFAMOUS) and Jeremy Northam (GOSFORD PARK, AMISTAD), and was produced by Jeremy Thomas (THE LAST EMPEROR, SEXY BEAST) at Recorded Picture Company with BBC Films and Ocean Pictures.More than 150 years after its publication, Charles Darwin's On the Origin of Species and its theory of natural selection remain the subject of much debate; the divide between those who accept Darwin's ideas as incontrovertible science and those who consider them blasphemous may be wider now than ever. Released in 2009, director Jon Amiel's Creation goes right to the heart of the matter--indeed, right to the heart of Darwin himself. As portrayed by Paul Bettany, the Darwin who has returned to England following his voyage aboard HMS Beagle is a man for whom "deeply conflicted" is a barely adequate description. Well aware his theory is "perhaps the most powerful idea ever to occur to a human mind," he is caught between the scientists who insist that he has "killed God" and t! he religious conservatives, including his wife Emma (Jennifer ! Connelly ), who counter that his very soul will be in peril if he finishes and publishes his book. What's more, he is haunted, sometimes literally, by the death of his favorite child, Annie (seen in frequent flashbacks), and its effect on his marriage--in fact, it is this personal angle that dominates the film. But while the toll his work has taken on his health, his faith, his family, and his very sanity is obvious, he also knows that it is far too important to ignore. Creation is not a documentary; liberties have been taken, and there are multiple sequences, including Darwin's nightmarish fever dreams, that are clearly the invention of the filmmakers. But Bettany and Connelly, who are a real-life couple, are both superb; the cinematography is gorgeous; and various scenes illustrating the notion of "survival of the fittest" in nature are riveting (there won't be a dry eye in the house when Darwin tells his dying daughter about the fate of an orangutan captured in Borneo). And! while the tone of the film would seem to favor science over religion, the DVD includes numerous bonus features in which both sides have their say. This one is not to be missed. --Sam Graham

Stills from Creation (Click for larger image)



A sweeping novel of politics, war, philosophy, and adventureâ€"in a restored edition, featuring never-before-published material from Gore Vidal’s original manuscriptâ€"Creation offers a captivating grand tour of the ancient world.
Cyrus Spitama, grandson of the prophet Zoroaster and lifelong friend of Xerxes, spent most of his life as Persian ambassador for the great king Darius. He traveled to India, where he discussed nirvana with Buddha, and to the warring states of Cathay, where he learned of Tao from Master Li and fished on the riverbank with Confucius. Now blind and aged in Athensâ€"the Athens of Pericles, Sophocles, Thucydides, Herodotus, and Socratesâ€"Cyrus recounts his days as he strives to resolve the fundamental questions that have guided his life’s journeys: how the universe was created, and why evil was created with good. In revisiting the fifth century b! .c.â€"one of the most spectacular periods in historyâ€"Gore Vidal illuminates the ideas that have shaped civilizations for millennia.
In 445 B.C., Cyrus Spitama, the grandson of the prophet Zoroaster, is the Persian ambassador to the city of Athens. He has a rather caustic appreciation of his situation: "I am blind. But I am not deaf. Because of the incompleteness of my misfortune, I was obliged yesterday to listen for nearly six hours to a self-styled historian whose account of what the Athenians like to call 'the Persian Wars' was nonsense of a sort that were I less old and more privileged, I would have risen to my seat at the Odeon and scandalized all Athens by answering him." Having thus dismissed Herodotus, Cyrus then dictates his life story to his nephew, Democritus, with similar disdain for the Greeks--whom we in the modern world have come to view as the progenitors of civilization, but whom Cyrus considers to be bad-smelling rabble.

Of co! urse, Cyrus Spitama speaks with a very modern, ironic voice s! upplied to him by Gore Vidal--and the political intrigues in which Cyrus finds himself immersed are likewise familiar territory for fans of Vidal's historical fiction. But the narrator's delightfully wicked observations are the icing on a narrative of truly epic scope--out of his desire to understand the origins of the world, Cyrus undertakes journeys to India, where he encounters disciples of the Buddha, and China, where he engages Confucius in philosophical conversation while the great sage fishes by the riverside. Creation offers insights into classical history laced with scintillating wit and narrative brio. Real-life couple Paul Bettany and Jennifer Connelly star as Charles Darwin and his wife in this biographical drama. Set before the publication of "On The Origin Of Species", 'Creation' finds Darwin grieving over the death of his daughter and feeling far away from his wife.More than 150 years after its publication, Charles Darwin's On the Origin of Species! and its theory of natural selection remain the subject of much debate; the divide between those who accept Darwin's ideas as incontrovertible science and those who consider them blasphemous may be wider now than ever. Released in 2009, director Jon Amiel's Creation goes right to the heart of the matter--indeed, right to the heart of Darwin himself. As portrayed by Paul Bettany, the Darwin who has returned to England following his voyage aboard HMS Beagle is a man for whom "deeply conflicted" is a barely adequate description. Well aware his theory is "perhaps the most powerful idea ever to occur to a human mind," he is caught between the scientists who insist that he has "killed God" and the religious conservatives, including his wife Emma (Jennifer Connelly), who counter that his very soul will be in peril if he finishes and publishes his book. What's more, he is haunted, sometimes literally, by the death of his favorite child, Annie (seen in frequent fla! shbacks), and its effect on his marriage--in fact, it is this ! personal angle that dominates the film. But while the toll his work has taken on his health, his faith, his family, and his very sanity is obvious, he also knows that it is far too important to ignore. Creation is not a documentary; liberties have been taken, and there are multiple sequences, including Darwin's nightmarish fever dreams, that are clearly the invention of the filmmakers. But Bettany and Connelly, who are a real-life couple, are both superb; the cinematography is gorgeous; and various scenes illustrating the notion of "survival of the fittest" in nature are riveting (there won't be a dry eye in the house when Darwin tells his dying daughter about the fate of an orangutan captured in Borneo). And while the tone of the film would seem to favor science over religion, the DVD includes numerous bonus features in which both sides have their say. This one is not to be missed. --Sam Graham

Stills from Creation (Click f! or larger image)





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